DesiReviews

WANTED (2009) Movie Review

2009-09-20T22:17:00.000-07:00

Puri Jagannath made Pokiri, first a telugu film starting Mahesh Babu and Illeana that became history back in 2006. A year later, dance master Prabhu Deva remade the film in Tamil by the same name with Vijay and Asin. The differences between both the Telugu and Tamil versions were minimal (save for some censorship differences and the different comedy tracks and casting).

Now we have WANTED. Again directed by Prabhu Deva retaining pretty much the majority of the crew from the tamil version. The likes of VIJAYAN for stunts, and top cameraman, NIRAV SHAH (along with S.SRIRAM). This time we have Salman Khan (after a plateful of previous flops) and Ayesha Takia donning the main roles. Mahesh Manjarekar redoes Mukesh Tiwari's lust cop and Govind Nameo does Napoleon's Honest Raj with a sarcastic remarks.

But the man of the match is clearly the latest National Award winner, Prakash Raj.

Yes you read it right, Prakash Raj. Consider this his comeback

to Hindi cinema after that dud, SHART back in 2003(coincidently done by Puri Jagannath) and since then, he has dubbed himself in Hindi too (Also started in big hit multi-star film, KHAKHEE but didn't dub himself in 2004.)

The presentation and story thankfully is not crudely presented like the Tamil version was and bad casting. We really didn't need Vijay to do a mentalkanth dance and body language style while trying to break the fourth wall as well as slapstick with Vadivelu. That's what really made the Tamil version really crappy as if Vijay ghost directed the film.

By the way, Deva sticks to the ACTUAL TELUGU script for the majority while

retaining the Tamil bits. Brahmanadam's comedy track in Telugu is mostly redone (beggars not included) here while Vadivelu's encounter with the lust cop over the phone is kept. In fact, I could easily call this most entertaining. You see Salman and Mahesh Babu were excellent and suited to the gang role like a glove while Vijay just looked like a joker and clearly the outcome was pure comedy. Watch out for their dialogue delivery. But their commitment punch dialogue still retains overall.

Mani Sharma gave some decent music for the original but because Vijay interviened in Tamil, only Dola Dola and Jagadame (ironically the pick of the telugu version, got short lived as a tamil theme track), and Apple item song were reused while we got crud like Pokkiri pongal, Mambazham naa, and that Vasantha Mullai remix. Here, Salman drags in PARTNER hit duo, Sajid & Wajid Khan to whip out the soundtrack. The songs were better, but weren't great. For a film like this, it's strictly okay. Jalwa, Love Me and Dil Leke were my picks. The Hindi soundtrack did a decent job, if not mindblowing.

Deva has done a decent job and this is strictly for the mass and Salman fans and for those who want to chill. In fact, consider this a blessed remake than that crap Ghajini with Aamir "overrated" Khan. Aamir doesn't know that between building a body that looks awkward on him + the old age shows in his chemistry with Asin = Horrible remake. Surya's original was awesome. Here it's the complete opposite. By opposite, I mean ABOVE THE TAMIL version.

Rating: ***.5

Unnai Pol Oruvan (2009) Movie Review

2009-09-20T21:56:00.000-07:00

Statuary Warning: Don't go comparing A WEDNESDAY with this film even if you've seen it, byhearted it,etc. There are many changes in UPO besides nativity to suit to the Tamil audiences. So if your going to bash A WEDNESDAY, well then it's useless. Now onto the review.

First off, I want to thank Mr. KAMAL HAASAN for setting up a new TREND in the industry: A Big-Star film where the script/content is king and didn't need to prove that you need MASS MASALA or cliches to make big star films work. Another big thanks is that after a long time (Given that I've seen his movies through subtitled DVDs) is MOHAN LAL, who has acted excellently after a long time. After his last couple of duds, we finally get to see LAL

the performer again.

No need to discuss the film's story itself as I don't want to give anything away (neither to those who have seen A WEDNESDAY!)

But I must confess that the dialogues (Debutant, Ee.Ra. Murugan for the tamil version) were top notch and made the film even better than wednesday. Watch out for the political satire between LAL and veteran LAKSHMI. There is a smudge of English, but given the common man backdrop, it's reasonable. Hope to see him in future Kamal films because this man has penchant for writing after the late Sujatha.

The other actors, Abhiyum Naanum's GANESH VENKATRAM (Rough cop, Arif Khan), ANUJA IYER (TV Reporter), and a few familiar faces from Kamal's past works (R.S SHIVAJI, duty officer & longtime favorite, SANTHANA BHARATHI as Karamchand)have done well for their limited screentime. Even the music by Haasan's daughter, Shruti K. Haasan is used efficient and doesn't overlap with the dialogues as most cliched Tamil movies have. The title track and Allah Jaane appear with the latter being the pick of the lot.

But one of the biggest highlights of this version was the climax outburst by HAASAN. No way does NASEER ever compare to this scene. Especially a certain dialogue in that scene relates to what happened recently to HAASAN.Very noteworthy!

One last note, big thanks to debut director CHAKRI TOLETI and Camera MANOJ SONI for making this remake top notch.

Unnaipol Oruvan is a must watch, even if you've seen WEDNESDAY, erase it and see it's sheer brilliance added by HAASAN, the cast and crew.

Rating: ****.5

Why Rajinikanth is Mental?

2009-09-20T21:33:00.000-07:00

(From Kollywood-today)

Superstar Rajnikanth has been making high waves throughout the World and that’s the magic of his charisma. A great man who is worshipped and respected by many, an entity being an inspiration for zillions in the World regarded as ‘Mental’. How dare do the magazine happen to be so atrocious in commenting on him. Not alone us, here we have one of the leading journalists who earlier worked in Junior Vikatan. Over here, he brings about his working experience and how the scenario has changed today.

Mayavarthan in his blog has printed the following the statements…..

“There were times when I worked there in the magazine of Junior Vikatan when I respected it with all my soul. My insatiable passion for journalism was sprouted over there, since I could learn the best ethics. The officials working there kept it a point that any individual, be it a big tycoon or a small time petty shop owner, none must be hurt with personal intentions. But today, I feel ashamed that the officials have turned unsaturated in their works. I have been observing the magazine for past few days and they have been personally attacking the name of Rajnikanth.

Earlier, one of worst lame named Kavitha had penned an article that carried these lines, “I Think (Rajnikanth) is still mental… Let me request him to keep his holes shut..” It was really a great shock for me to read that article.. Let him be a good or bad person, none has the rights of insulting an individual with such harsh and filthy words. But the girl is so intelligent, since she has stated these lines in English with the entire article in Tamil. Of course, she has thank herself for few wouldn’t have understood it. If she had published the same lines in Tamil, then things would have been different for her.

Immediately after reading this article, I had mailed them stating that they published such kind of stories only hear it from them that I am using abusive words. If so, is it right what they have done?.

In the recent article, Junior Vikatan had a series of questions for Rajnikanth. One among them stated “Rajnikanth have you been steady in any of the statements?” Earlier, you opposed Jayalalitha and then you felicitated her as ‘Dhairya Lakshmi’ (Courageous God). I wanna ask the reporters who penned this question that whether they are sure about they have asked.

Yes, Rajnikanth opposed Jayalalitha for her improper works as a chief minister and then when she made up for it committing good deeds like Rain Harvesting Systems, Banning piracy of Tamil movies and many more, he came up with the statement that its great for a woman to do such bold things alone.

I am asking you people, is it anything wrong what he has said????

Junior Vikatan has lost all its brand making such silly stories and I regret for being a part of the journal….

Another person in his blog has stated that Ananda Vikatan has bee earning revenue using the name of Rajnikanth. It would either singing appraisals of him or by degrading him.

Cho Ramasamy has stated that Rajnikanth has been clear in his statement during his speech. The blunder he committed was that he wrongly used the word ‘Kick’…. He actually meant that those the problem creators must be kicked and not the innocent people over there.

Sathya Narayananan, P.A. to Rajnikanth has stated if they to had to provoke the fans of Rajnikanth against the journal, then things would have been completely different. But Rajni sir doesn’t like it.

If you are more interested to catch up with the exact words put forth by the blog writers, you can check out at the related blogs.

http://www.kollywoodtoday.com/news/why-rajnikanth-is-mental/

Ghajini (2008) Music Review

2008-11-22T15:50:00.000-08:00

A.R Rahman is associated with South Indian directors who made their foray into Bollywood. The likes of the great Mani Ratnam debuted with A.R Rahman (though the pair were together in Tamil since "ROJA", they debuted in Bollywood with DIL SE..) Though the film bombed, the music became a cult classic and it's still being played today. The famous style-fantasy of the the South, S.Shankar also debuted with NAYAK (also ARR) but it never made an impact, due to it's cliched factor associated with most South formulaic films.

Now it's 2008, and we got A.R Murgadoss debuting Bollywood with GHAJINI, a remake of his Tamil film that starred Surya, Asin, Nayantara and Pradeep Rawat. Released in 2005 with super-hit music by Harris Jayaraj (lyrics: Na Muthukumar), former associate of ARR, now it's Aamir Khan's turn to see if he tasted success with A.R Rahman along with Khan's favorite, Prasoon Joshi (the duo come again after Blockbuster hit, RANG DE BASANTI).

Unfortunately, the music's below par but let's not get hasty on "slow poison" and "give it time" reasons.

Guzzarish is a soothing number but half way through the song, Sonu Nigam (guest vocals), chips in an "ah" or two and then it hits you. Though Javed Ali got full marks for the song, one wishes that Nigam could've sung this one instead. Even after giving "Mastam Mastam" and "Dil Ka Rishta" from Yuvvraaj, I was merely hoping he would sing it (or rather, ARR compose a Nigam version of the song.) The song is predicted to be the "Suttum Vizhi" of this version and it's pretty slow for the former being a fast beat one. Still, this is a pick of the album.

Behka marks the return of Karthik (who's now a hotshot singer down south) to Bollywood after SAATHIYA's "Chori Pe Chori." Touted as "Oru Maalai", the tune just doesn't gel with the lyrics, to be frank here. It's sounds like one of the rejected songs from JAANE TU YA JAANE NA. The jazzy and hip beat compiled together and to top it off with Shankar-Eshaan-Loy's "ROCK ON!" chorus like chant that you can hear in the end of the song. The main problem is that Joshi tries to shoe horn in the urdu and meaninful lyrics into the song. It's overall an OK track, nothing groundbreaking.

Latoo with Shreya Goshal is "Rahatulla" thanks to the exact arrangements that can be heard here, espcially in the middle of the song. For someone who's used to giving soothing melodies like Ilayaraja's CHEENI KUM" or Vishal-Shekhar's "MAIN AGAR KAHOON", this one doesn't suit her well and I wonder why they didn't get Sunidhi Chauhan to do this song, she's used to it. Heck, the RAB BANA DI JODI song has her doing a disco type wala number. Chauhan would've done well, here with Goshal, it doesn't go well together, like chalk and cheese. Average composition.

Aye Bachchoo sounds like he's taken a page or two out of "ROCK ON!" and several of Music Director, Pritam Chakraboorty's hit albums, majorly, JAB WE MET's "Mauja Mauja". The tune's very 90ish rock and with Suzanne behind the mike (she's done DHOOM 2), nothing special nor there was anything in "X-Machi", basically filler tracks. Nothing great but could be catered for the masses who prefer this.

Kaise Mujhe has Benny Dayal again doing a souful and sad track with Goshal joining in later on. A good listen overall but will the audience have the patience to listen to this sad song. This is obviously the bonus track that Murgadoss had mentioned in Behindwoods.com's interview. From the hearings, it's likely to be Aamir thinking of Asin's "death" and so on. You can tell the arrangements give it a background score-ish material. Slow, but a good hear. Check out it's instrumental too if you enjoyed this track.

Ghajini's Hindi version doesn't create any hype on music. And frankly, after giving good scores like JTYJN, YUVVRAAJ, I would rather prefer the latter albums and enjoy probably Guzzarish, a little Behka, and Kaise Mujhe. As for the rest, nothing groundbreaking, just plain average.

Rating: ***

Gautham slams critics...

2008-11-20T18:42:00.000-08:00

And how? Take a gander from the Sify.com/movies/tamil interview...

Some scenes like Surya going to US with his father’s consent to find Sameera seems illogical. Please comment?
It’s my story and my dad did that! He supported me to go and chase my love and let me clarify that in the film, Surya’s dad did not fund his trip to US but after finishing his duties as a son, he takes permission and goes on his own. I wonder why a section of people did not understand that. And I read someone writing that my hero was sent on a tour by his parents instead of treating him for drug addition! Well, let me tell you that my characters are etched from real life people and there have been cases of people getting out of drug addiction due to parental support and love.
When a hero flies 15 feet high in the air and then hits a train in a recent superstar film, people did not say it was illogical. But why are they saying that when my hero goes to US to chase his love, it is illogical??

The answer: Guess who just shot at Dharani's flopbuster, Kuruvi? Witty Dig I should say. Me thinks it has to do with when he intially approached Vijay to do a film together, but after Vijay heard the script, he offered him a "Thirupachi" DVD to watch and copy the sentiments from that into his script! The irony here is that Ajith, who WAS to do a film with Gautham for Sivaji Productions, had sacked him for Dharani instead!

Moral of the story: This is why one is living in ivory towers doing ridiculous films while the other gives good films by acclaimed actors.

One door closes...another one opens?

2008-11-09T09:47:00.000-08:00

Sad news to all. Thanks to Pyramid Samira's Kuselan loss, seems that he can't compensate with Kamal Hassan's magnus opus, Marmayogi. So for now, it looks like the project is indeed dropped/shelved. A detailed news from below courtesy of Sify.

I wish Kamal Hassan all the best and that we're all behind him. Also, a belated happy birthday to the versataile actor himself.

It is almost certain that the much talked about Kamal Hassan magnum opus Marmayogi has been dropped. Pyramid Saimira who were to jointly produce it with Rajkamal International, is reported to have pulled out of the project due to lack of finance.
Ever since the colossal failure of Kuselan Pyramid Saimira has been caught in a financial crunch out of which it looks seemingly impossible to come out. Kamal, the perfectionist if he has to make Marmayogi can do it only on a huge canvass and that requires big money, nearly Rs 100 crore.
Now the market buzz is that Kamal is starting a new venture Thalaivan Irukkiraan, for Gemini Films Circuit, who had done 'Vasool Raja MBBS' earlier with the star. Gemini is trying to make the film on a budget of Rs 50 to Rs 60 crore, in Tamil, Telugu, Hindi and Malayalam . An offical announcement is expected shortly once the star cast and technicians are firmed up.
As per the rumours making the rounds it is going to be an action packed adventure film to be shot in US and Switzerland. It will have a galaxy of stars from all Indian languages like Rishi Kapoor, Venkatesh and Mohanlal. The film will have music by A R Rahman and will be written and directed by Kamal Hassan.

Why Kamal is ahead of times....

2008-10-25T13:33:00.000-07:00

Below are the 7 key points from his earlier films that actually depicted the future of India. Take a look:
=========

1) In 1978, his tamil movie “Sivappu Rojakal” got released. He
played the role of a Psychopath killer . One year later, a guy called
Psycho Raman was caught for brutally murdering people

2) In 1988, kamal played the role of a unemployed youth in the movie
“Sathya”. In 89-90’s our country faced lot of problems due to
unemployment.

3) In 1992, his blockbuster movie “Devar Magan” got released. Its a
village based subject. There will be some scenes portraying communal
clashes. Exactly a year later in 1993, there were many communal
clashes in southern districts.

4) We all know in 1996 many people in our country was cheated by
finance companies. Our Kamal Hasan has clearly depicted this in his
movie “mahanadhi” which got released in 1994 itself.

5) In “heyram”(2000), there are some scenes relating to Hindu Muslim
clashes . We all know 2 years later, godhra(Gujarat riots) incident
happened.

6) He used a word called ‘tsunami’ in his movie
“Anbesivam”(2003).The word ‘tsunami’ was not known to many people
before. In 2004, ‘tsunami’ stuck the east coast of our country and
many people lost their lives.

7) In his latest movie ”Vettaiyadu Vilayadu ”(2006) there are two
characters called ila&amudhan who played the roles of psychopath
killers. After 3 months of release of the movie, the noida serial
killing came to light (moninder/sathish)

And to add another point to the seven below

8 )He shows the outbreak of a biological weapon(virus/vial) in Tamil nadu
–Dasavatharam(2008)

?????
=========
Could we actually witness an outbreak of a biological weapon in the future?

The Power of Mental...(in Padaiyappa style)

2008-10-12T19:12:00.000-07:00

Someone posted these lyrics. Really funny and so true. This is to the tune of Padaiyappa's song "Sutthi Sutthi Vandenga".

Suthi suthi vandeenga tune!

Badappa.......Badappa......

Sori nadai nadandu oora vitta odu!

Oorai vittu odu nee Tamilnattaivittu odu!

En peru soriyappa udambu fulla serangappa

En kooda erupadellam edupu sothu echangappa...

Munnal oru soriyappa pinnal oru noy appa

Udambu muyusam ekachekka noyappa......

Mosamana manidanappa nan nanri ketta nayappa....

Kuselan flop ayirchu pa nalla soru thinnu 4 naal achu pa..

Badappa.........Badappa..........

Ennai alaki pathadellam kannada karunkorangappa...... 1:01 am (2 minutes ago) delete Aappu

Ishwarya Rai sootha suthi vandeenga!

Seruppala adi vangineenga!

Ayyo unga keyattu mugam veengi pochunga!

Ethana nadaigaigal vandanga-ennaiya thodapathal

Adichanga!Ayyo en pochaippu nari pochunga!

Enakkomasuru thalaila kidaiyadu!

En sotta thalaikku wig dan porundaadu!

Adu kanja kodunga himaya malai polanga

Homo-sex dan panlanga........

Suthi suthi vandeenga!

Saroja Movie Review (2008)

2008-10-06T11:48:00.000-07:00

The much hyped up Venkat Prabhu, who rode into success post Chennai 28 has a lot in stock here. Usually, new directors bomb badly with their second release. Like Nikhil Advani of first timer hit, Kal Ho Na Ho bombed miserably with Salaam E Ishq.

Saroja is touted as a thriller but like any thriller there are flaws. Namely, the cat-and-mouse chasing. As seen in Kamal Haasan's DASAVATHAARAM, the cat and mouse scenes can be irritating and dragging but Haasan succeeded in keeping our interest alive with the Bio Vial. Coming back to Saroja, there are times (mostly the second half of the film) where the plot becomes highly irritant of chasing around and such that it really tests your patience.

In the end, Saroja becomes an O-K film. A one time watch. Still, Venkat has done much much better in keeping you fastened in your seats from start to finish.

Meet Ajay raj (Mirchi Shiva), Ganesh (Premji Amaran), and brother duo Jagapathi Babu (Son of SPB, S.P Charan) and Jagan (Vaibhav). The foursome decide to drive down to Hydrabad for a cricket match, while concurrently, a kidnapping takes place before their departure and their arrival. Business Tycoon Vishwanath (Prakash Raj) finds that her daughter Saroja is kidnapped and enlists his friend, Inspector (Jayaram in a negative role) to trace the wherabouts. As the foursome reach Hydrabad, series of horrific events occur leaving the boys having to deal with the kidnapping gang and there forms the rest of the story.

Like Chennai 28, Venkat succeeds in budding up comedy and friendship. For instance, Premji Amaran was promising in Chennai 28 as the comic relief. Here, he's taken his comic to the next level. Unlike Vadivel and Vivek, his comedy isn't sidetracked from the plot nor does it deviate it. Moreover, he's usurped better here than he was in Satyam/Salute. He's sure to bring the house down with his women fantasies and his confusion with actress Saroja Devi.

The story is no different. In fact it's a copy of JUDGEMENT NIGHT (1993, Michael Douglas). Though the closing proceedings seem to be a lift from Malayalam laugh Riot, Ramji Rao Speaking and Babu's plan of action is nothing by Home Alone.

Another flaw the the dubbing. I've noticed that since Saroja is a billingual, most of the characters speak Telugu, but in characters like Telugu comedian, Brahmanadham, is really awkward speaking tamil though you can easily tell it's Telugu dubbed over. This the same problem that Kathanayakudu went through when Rajnikanth is partially dubbed in Telugu (though SPB has dubbed for him in Telugu) and partially is reshot synched.

Yuvan Shankar Raja bounces back with Saroja with pleasant numbers, but besides Aaja Mere Soniye and Dosth Bada Dosth, the rest of the numbers seem forced or stick like a sore thumb.

Performances. Out of the four, S.P Charan stands tall in his acting debut. Like his legendary father S.P Balasubramanian, he's extremely talented and one hopes he gets good roles like this. Second, Premji, hands down. Other directors, please take note of his comic performance. That's how you do comedy, not sidetrack us from the plot! Mirchi Siva is good but is limited. But his spoof on Serial acting is class. Vaibhav is good and his interaction with Premji is the highlight. Prakash Raj hams the usual while Malayalam actor, Jayaram seems to be only doing Villian roles after DHAAM DHOOM and trust me, he looks awkward doing it. But this isn't the first time since he was the villian in THENALI (1999). Vega hams as well but it's Kajal Agrawal that disappoints the most as she serves NO PURPOSE in the film. The cameos by the Chennai 28 team was a nice touch and good to see them again.

Overall, Saroja is an average film that's worth a look.

Rating: ***

More Mentalkanth jokes....

2008-10-01T11:44:00.000-07:00

Outer space exists because it's afraid to be on the same planet with Rajnikant

Rajnikant has counted to infinity - twice.

When Rajnikant does a pushup. He isn't lifting himself up, he's pushing earth down.

Rajnikant is so fast, he can run around the world and punch himself in the back of the head.

Rajnikant doesn't wear a watch, HE decides what time it is.

Rajnikant can slam a revolving door.

Rajnikant gave Mona Lisa that smile.

Rajnikant's house has no doors, only walls that he walks through.

Rajnikant grinds his coffee with his teeth and boiled the water with his own rage.

If you Google Search 'Rajnikant getting kicked'. you will generate zero results. It just doesn't happen.

It takes Rajnikant 20 minutes to watch 60 Minutes.

The Bermuda Triangle used to be the Bermuda Square, until Rajnikant kicked one of the corners off.

There are no weapons of mass destruction in Iraq; Rajnikant lives in Chennai.

Rajnikant once ate and entire bottle of sleeping pills. They made him blink.

The only things that run faster and longer than Rajnikant are his films.

Rajnikant's every step creates a mini whirlwind. Hurricane Katrina was the result of a morning jog.

Where there is a will, there is a way. Where there is Rajnikant, there is no other way.

UPDATE: And more...for your enjoyment!
===
1. Rajni keeps himself entertained out of concern for the public. If he gets bored, he'd yawn and the last time he yawned, it caused a tsunami.

2. Legend has it that Rajni was once a certainty in the Indian cricket team. As a bowler, Rajni usually needed 10 deliveries to finish the game. Owing to monotony, he retired from cricket as a 12 year old.

3. Tamil Nadu was dry one summer. Poor monsoons had resulted in a drought. But then this was only until Rajni sneezed! Bless him!

4. Wachowski brothers approached Rajni for "The Matrix". But Rajni was looking for more action.

5. In his younger days, Rajni ran the 100 mts in 6.7 seconds. He decided to participate in the Olympics only after another athelete broke the 7 second mark.

Well wait, Picture abhi baaki hai...

Here is an interesting new story.

Rajinikanth was bragging to Jayalalitha one day, "I know everyone there is to know.
Just name someone, anyone, and I know them."

Tired of his boasting, Jayalalitha called his bluff, "OK, Rajini how about Tom Cruise?"

"Sure, yes, Tom and I are old friends, and I can prove it" Rajini said.

So Rajini and Jayalalitha fly out to Hollywood and knock on Tom Cruise's door, and sure enough, Tom Cruise shouts"Wassup! Great to see you! You and your friend come right in and join me for lunch!".

Although impressed, Jayalalitha is still skeptical.

After they leave Cruise's house, she tells Rajini that she thinks Rajini knowing Cruise was just lucky.
"No no, just name anyone else" Rajini says.
"President Bush", Jayalalitha quickly retorts.

"Yes", Rajini says, "I know him, let's fly out to Washington".
And off they go. At the White House, Bush spots Rajini on the tour and motions him , saying,"Rajini, what a surprise, I was just on my way to a meeting, but you and your friend come on in and let's have a cup of coffee first and catch up".

Well, Jayalalitha is very shaken by now, but still not totally convinced.After they leave the White House grounds, he implores her to name anyone else.

"The Pope," Jayalalitha replies.

"Sure!" says Rajini, "My folks are from Germany and I've known the Pope a long time".
So off they fly to Rome. Rajini and Jayalalitha are assembled with the masses in Vatican Square when Rajini says, "This will never work. I can't catch the Pope's eye among all these people.Tell you what, I know all the guards so let me just go upstairs and I'll come out on the balcony with the Pope." And he disappears into the crowd headed toward the Vatican.

Sure enough, half an hour later Rajini emerges with the Pope on the balcony..
But by the time Rajini returns, he finds that Jayalalitha had a Heart attack and is surrounded by paramedics.Working his way to Jayalalitha's side, Rajini asks her, "What happened?" Jayalalitha looks up and says, "I was doing fine until you and the Pope came out on the balcony and the man next to me said,
'Who's that on the balcony with Rajini?' "

So dear folks, if you ever get the pleasure of serving Rajni a cup of coffee, see to it that it is clear of any seeds. Grind it!
And if you know of any other urban legends about Rajni, then post a comment here. Find It!

But always remember, never say never when you talk of Rajni(oops! I've used "never" twice in this sentence). Mind It!

Enthiran also begs for Apology

2008-09-19T08:41:00.001-07:00

Response to Shankar's Endiran...

2008-09-10T09:51:00.001-07:00

They say a picture is worth a thousand words. In this case, the picture is worth a thousand deaths to rajni fans. Seems that the public is getting smarter post Kuselan. I would call it, the DASA effect being at work.

Kuselan the loss (For you non believers...)

2008-08-28T18:58:00.000-07:00

Thanks to Sandiyar Karan for the information. Quoting directly from him:

"YES EVEN BIGGER THAN THE DISASTERS THAT WERE NATUKKU ORU NALLAVAN & BABA"

Kusu on August 1st, 2008!

http://lh3.ggpht.com/Karthick291081/SLdTfeFWjfI/AAAAAAAAAe4/juCg8_NWhrg/1.jpg

(21 Theaters in Chennai)

Kusu's SAD (HAPPY FOR US) State in just 28 Days...that is August 29th, 2008!

http://lh4.ggpht.com/Karthick291081/SLdTfiGm7JI/AAAAAAAAAfA/M8DEWH2tvD8/2.jpg

Makkala NAMBA, 9THARA MINI-SKIRTA MATTUM NAMBI "BITU-A" PADAM EDUTHA ITHANDA GETHI MENTAL BAADU! POLI SAMIYAR VESHATHUL OORAI EMATHUM MAAMIYARE!

ULAGA SARITHIRATHIL MUTHAL MUTHALAGA THIRAIKKU VANTHA SILA NATKALAILE.....UNGAL KUPPA THOTTIYIN PAKKATHIL IRRUKKUM KAKKOOSIL "SUPER TOILET CLEANER MENTAL KANTH NADIKKUM KUSU (SUBTITLE:FART)! KAANA THAVRATHIRGAL, ANAIVARUM DETTOL udan VARUGA.....VAZHTHUGA.

Coming Soon: "THE MAKING OF FART" A FILM BY SOUNDARYA MENTALKANTH. TRUE STORY OF HOW A STINKING FART IS MADE WITH CHEAP SPECIAL EFFECTS & REAL BODY SOUND EFFECTS! DO NOT MISS IT..... P.S. IT'S MORE LIKE 2 THEATERS, BECAUSE E-OTTURA SHANTHI THEATER ELLAM NAAMA KANUKILLAYA EDUKKA KOODATHU.

Pack up Rajni, your time has ended. Go join politics or something and fill in the missing void of MGR if you must. Leave the audience to Kamal and his ventures. Satyanarayana (head of the Rajini fanclub) get a life, start living and give up on Mental's fanbase. We'll save you the humilliation.

Critics on Kamal and Rajni --An Allusion

2008-08-24T09:01:00.000-07:00

Someone in orkut pointed out this quote, take a look,

If brilliant student scores 90% definitely he'll be scolded or beaten by his teachers; its not because of jealous but to make him to achieve 100%.

At the same time, the dumb fellows will not get any comments / scoldings; because teachers know, anyway, this dumb guy will not develop himself; why to waste our energy.

Now modify it with the right words,

If Kamal Hassan scores 90% definitely he'll be scolded or beaten by his critics; its not because of jealous but to make him to achieve 100%.

At the same time, Rajnikanth will not get any comments / scoldings; because critics know, anyway, this Rajnikanth will not develop himself; why to waste our energy.

Ithu Eppadi Iruku?

The Media verses Rajnikanth

2008-08-09T08:28:00.000-07:00

At last, it became too good to be true. The media has finally seen the truth in light. Post the colossal flop of Rajnikanth's latest release, Kuselan, media reports are spitting at the so-called "Superstar" for choosing such a film. Now, he's more like a "Sooprastar." Here are the following detail reports from some of the biased sites that have supported Kanth's earlier films.

From Sify.com (aka Moviebuzz),

Has Rajinikanth's Kuselan bombed at the box-office? The distributors of the film have approached Pyramid Saimira who marketed it for a reimbursement of their losses. The film which released on August 1 carried mixed reports from day one.
By day two of its release, in NSC area the number of shows was reduced, as it was released in too many screens. The fans did not like the film, and the family audience kept away due to vulgar comedy scene of Vadivel.
The film just did not take an opening that one associates with a Rajinikanth film. On Monday, the film crashed by more than 50 percent. At the end of the first week in multiplexes like Sathyam cinemas, it was moved from bigger screen to smaller ones, and number of shows reduced.
No Rajinikanth films in modern times have taken such a poor opening. The trade blames Rajinikanth, director P.Vasu and producers K.Balachandar, G.P Vijayakumar, and Aswini Dutt for this fiasco.
Vasu diluted the essential spirit of the original (Katha Parayumbol) by introducing scenes and characters which were not there in the original.
The producer's piggy- back rode on Rajinikanth's larger than life image and sold it to Pyramid Saimira for Rs 60 crore, when they knew very well that he was only doing a special appearance.
Why did Rajinikanth after initially saying that he is there for only 25 percent of the film agree to keep a studious silence when the film was sold to PS as a full fledged superstar film like a Sivaji or Chandramukhi?
It lends credence to the story in the trade that he became greedy when he saw big money being traded on his name.
Anyway, coming back to the basic facts touted by the industry on why Kuselan was not appreciated by neither his fans, the youth nor his traditional family audiences.
* First and foremost Rajinikanth is a prisoner of his larger than life image. He cannot make a film run without his usual gimmicks- Punchline, clean comedy, subtle romance, sentiments and above all he needs a villain to fight him. These elements were missing in Kuselan
* The trade believes that the producers should not have gone against the industry sentiments of releasing the film during 'Aadi' month of August. Remember quite a few Rajinikanth films released in the month of August like the most famous of them Baba had bombed in the past!
* S.P Balasubramaniyam used to sing the superstar's introduction song which has a message that goes with his image. Who can forget SPB- Rajini magic songs, En Peru Padayappa… (Padayappa),Oruvan Oruvaan …(Muthu) , Bellellakka, Bellellakka… (Sivaji), Devuda, Devuda… (Chandramukhi)? In Kuselan the Cinema, Cinema… introductory number was sung by Shankar Mahadevan. Last time when he sung for Rajini Dippu, Dippu… in Baba, everybody knows what happened!
* The superstar does not require the glamour of Nayanthara and the crass and crude comedy of Vadivel to sell his films. The big mistake the director made was to include these scenes in the film.
* Finally, the industry believes that stories of cinema within cinema have never clicked in Kollywood.

The Moral of the story- Never tamper with an original script that has worked wonders in another south Indian language. And the superstar should only do one film in two years, where he is there throughout from the opening scene to the end titles!

From Rediff.com

Rajnikanth's Kuselan, which released on August 1, got a lukewarm response, to put it politely.
The crowds may be present but not in numbers that you would expect from a Rajnikanth [Images] film. Die-hard fans and Rajni loyalists have not let down their hero but people have not come in droves either.

A representative from Pyriamid Saimira, which distributed Kuselan [Images], admits that the film has not broken even yet. But they are optimistic that it will pick up. "The Malayalam movie, on which this is based, picked up only in the third week. We hope it happens here too," he said.

He added that the film was doing steady business during the week and good business during the weekends. "But it is not as big a hit as Sivaji: The Boss." It is doing reasonable well in the cities but badly in the rural areas.

The film is 'doing okay' in the United States and Malaysia, where Pyramid released the movie directly. Since they have sold the movie rights to the other parts of the world, they could not tell us how it's faring in other places.

"The fans have come. But to make it a hit, the families have to come. We hope that it will pick up in the next week," the representative said.

Add in Priyadarshan's panning against Kuselan for being a crass and superstar version of katha parayumbol. Also reported here by Sify.

From Times of India

Times of India on Kusu's failure

Is Rajinikanth’s P Vasu directed Kuselan turning out to be a damp squib at the box-office?

Once again the month of August, the dreaded Aadi period, is proving to be inauspicious for superstar Rajinikanth. In August 2002, he released his home production Baba, which bombed badly. Now six years later, he has done Kuselan for his guru K Balachandar’s Kavithalaaya in association with GP Vijayakumar’s Seven Arts.

The film, which released on August 1, with all hype and hoopla has taken only a lukewarm opening worldwide. On day-two of its release, tickets were available in almost all theatres across Tamil Nadu and carried mixed reports. On Monday the fourth day, there was a huge drop of 50 percent in collections, something which did not happen to even Baba!

In Chennai and its suburbs, the film opened in too many screens and suffered, as you could walk in and buy tickets for any show, even at prestigious Sathyam Cinemas, Inox and Mayajaal. And by the end of the first week, the film was shifted to smaller screens in multiplexes and number of shows reduced across the state. And in the US where Rajini is king, on day two of its release, ticket rates were slashed from $15 to $10. It was something that has never happened to the emperor of opening — Rajinikanth. The panic buttons have been pressed by the films distributors and theatre owners who had paid very high Minimum Guarantee (MG), and are now demanding a 50 percent pay back from Pyramid Saimira, who marketed the film.

The distributors and theatre owners are blaming Rajinikanth and the producers for this fiasco. On conditions of anonymity, a leading financier and distributor who has distributed many Rajinikanth films said: “The basic trouble with Kuselan is that it is not a typical larger- than-life Rajinikanth film, like a Sivaji or a Chandramukhi. The fans felt cheated and there were no repeat audiences for the film, making the opening weak. All of us in the trade were taken for a ride.”

Saimira or Rajinikanth will compensate the distributors and theatres their losses. There is precedence as the superstar had compensated the trade after the Baba debacle, as he was the producer of the film.

When contacted Pyramid Saimira’s chairman and managing director PS Saminathan said, “As of now, Kuselan is a hit. The fate of a film how big it is can be known only after 10 days of its release. The film has collected Rs 20 crore at the box-office till now. It’s too early to tell, but we expect it to make decent profits.” He pooh poohed observations of the film being a flop. Saminathan concluded by saying: “Kuselan is not an action-oriented film. The film has no villain, no styles that are usually associated with Superstar Rajinikanth. This film focuses on family viewing and I think it will work

Toss in the famous tamil magazines giving a big slap to Sooprastar in the form of scans:

Kumudam (Aug 13, 2008) - Letter To Rajni By Gnani
Page 1 - http://i34.tinypic.com/1y0so6.jpg
Page 2 & 3 - http://i33.tinypic.com/286wxhc.jpg
Page 4 - http://i38.tinypic.com/21bvdd4.jpg
Page 5 - http://i33.tinypic.com/2rcucfs.jpg

Kungumam(Aug 14, 2008) - Director Seeman Questions Rajni
Page114 & 115 - http://i34.tinypic.com/2yvt45l.jpg
Page116 - http://i36.tinypic.com/30u6044.jpg
Page117 - http://i36.tinypic.com/2pr9ste.jpg
Page118 - http://i35.tinypic.com/30rsciv.jpg

Nakkheeran(Aug 06, 2008) - Rajni Apologized Is Right?
Page 6 - http://i33.tinypic.com/i5rv2e.jpg
Page 7 - http://i38.tinypic.com/10zuxhe.jpg

Junior Vikatan (Aug 10, 2008) Rajni You are acting WELL
Page 1 - http://i34.tinypic.com/whxk52.jpg
Page 2 - http://i33.tinypic.com/2e4c6k2.jpg

==========

Real Moral of the Story: Rajnikanth can't act for nuts thanks to his stupid fanbase. They will always take him for a joyride and he will never know the means of acting every again. May this Kuselan continue with him for the rest of his movie career. I hope Shankar's Robot is the biggest flop in the history of tamil cinema next to this and Baba. Nanna Vernum! Can't fool the audiences anymore huh Mental kanth?

Priyan explains it all...

2008-08-06T10:53:00.000-07:00

Following the mega-flop of Kuselan (Don't believe what the mental fans (ala rajni fans) or what the rajni-biased sites, behindwoods, sify, etc. say. We have proof over at the Universal Hero Kamal Hassan Community.) Priyan clarifies on Billo Barber, the dubbed Kuselan, and of course, his punch dialogue.

Source: Indiafm.com

Kuselan, the Tamil version of the Malayalam superhit Katha Parayumpol, about the relationship between a cine-superstar and a village barber, has made it to the top of the box-office charts*.

But Priyadarshan who's frantically trying to finish the Hindi version with SRK is unperturbed. "We'd have wrapped up Billoo Barber much earlier. But Shah Rukh got busy with the IPL. Never mind. It makes no difference to our film."

Priyan says the original Malayalam film which was written by his assistant Sreenivasan is very different from both Kuselan and Billoo Barber. "Sreenivasan gave the Tamil rights to the producers after consulting me. Since they were very keen to make it with Rajnikanth, we relented. But the contract clearly says that Kuselan cannot be dubbed into any other language. Likewise, my Hindi version cannot be dubbed by producer SRK in any other language except the parent lingo, Hindi. We clearly put all this under contract to avoid the kind of overlapping that was attempted when I remade the Malayalam film Manichithrathzu as Bhool Bhulaiyaa in Hindi, and Rajni's Tamil film Chandramukhi, from the same source was also attempted to be released in a dubbed Hindi version. I'll avoid this kind of a clash of interests at any cost."

But the question is, would the contract prevent the makers of Kuselan from finding loopholes in the agreement to release the film in a dubbed Hindi version? And if they do would it effect Billoo Barber? According to a source a dubbed Hindi version of Kuselan is being released around the same time as Billoo Barber. "Not at all," asserts Priyan confidently. "Only the climax of Kuselan and Billoo Barber are the same. Otherwise they are two different films. See, like all Rajnkanth starrers, Kuselan has been made to spotlight Rajni as a larger-than-life icon. I believe he enters the film riding a winged horse. Though my film also stars a superstar SRK as a superstar, I've nowhere tried to increase his role or heighten the impact of his presence. I'm not that kind of a filmmaker. In Bhool Bhulaiyaa, Akshay Kumar made his entry at interval point. I'm making it very clear that Irrfan Khan and not Shah Rukh has the main role in Billoo Barber. My film isn't a platform to glorify the mega-star," chuckles Priyan making a dig at the first-frame-to-last presence of Rajnikanth in Kuselan.

Billoo Barber opens in Diwali. "If I wanted I could've rushed the release. But we're not in competition with anyone. And like I said, the Kuselan makers are bound by contract. They can't dub the film into Hindi or any other language," says Priyan confidently.

* This is purely false. CNN IBN proves it.

Nethi aadi to P.Vasu and to the Kuselan crew.

Kuselan - The Biggest Flop in Rajni's career

2008-08-02T10:33:00.000-07:00

Rajnikanth has lost it once again.

Following my review from Thursday show, trade analyists are reporting that his latest release, Kuselan, has opened to a dismal 40-50% all over Tamil Nadu. This is indeed a huge shocker in comparison to Sottaji and Chappamukhi, Kanth's earlier releases back in 2007 and 2005 respectively.

A remake of Malayalam Blockbuster, Katha Parayumbol, the film had first been noticed by the people thanks to the marketer's poor planning. First and foremost, the film had not stuck to Sreenivasan's script as it was only revolved around Rajni and Rajni only. In the original, Mammooty's role was short and sweet and didn't involve any questions or punch dialogues regarding his life on politics, cinema, etc. Also, the film was to be about Pasupati (Sreenivasan in the original) and his struggles, not mindless songs by G.V Prakash about Cinema Cinema, etc. That's where the theme is lost. But then again, it's Tamil Nadu, where part of it's population highly regards of Rajni as their god, but really, he isn't.

Toss in the Begging to put all ends to the Hogenakkal controversy by kanth himself and there you end up with red faces in the form of the Nadigar Sangam. At the same time, Mixed reports are coming in from all centres (including it's Telugu version, Katha Nayakudu) saying that Rajni disappoints big time while some fans of the original are saying that

The original version was with some emotional touch. It was from "Srinivasan "point of view..not mammotty..but here ..[they] added masala.. like anythng .spoiled the core point of the movie..sucks to [the] Core..

In the meantime, Kamal Hassan's Dasavathaaram had celebrated it's 50 days of release yesterday with it's increase in shows yesterdays in the likes of theaters Sathyam, Mayajaal over Kuselan's shows. At the same time, the advance bookings were purely empty

Bottom line: Sivaji may have become the biggest hit but Kuselan is becoming the biggest flop. This is P.Vasu's next flop in a roll after Thottal Poo Malarum, Krishnaarjuna (with Nagarjuna as Guest Role, irony!) and Maharadhi (with joker star, Balakrishna).

Kooselan Empty seats @ Mayajal First day

Mayajal Aug 1 (First Day ) shows - EMPTY SEATS

10.30 show - http://i33.tinypic.com/32zlxg2.jpg
11.30 show - http://i37.tinypic.com/eti35k.jpg
12.00 show - http://i36.tinypic.com/2evf8k0.jpg
13.30 show - http://i34.tinypic.com/alg7qf.jpg
14.30 show - http://i38.tinypic.com/2412hhe.jpg
16.29 show - http://i36.tinypic.com/98sdwg.jpg
17.01 show - http://i35.tinypic.com/2h4j3tv.jpg
20.31 show - http://i37.tinypic.com/28cosy8.jpg
23.29 show - http://i35.tinypic.com/x4nfpd.jpg
23.59 show - http://i38.tinypic.com/qy8wsw.jpg

AUG 4 - 100% empty shows of Kuselan @ MAYAJAL

Show 10.30 - http://i33.tinypic.com/rkq62t.jpg
Show 11.00 - http://i38.tinypic.com/15mzrlk.jpg
Show 12.00 - http://i33.tinypic.com/2v3gck2.jpg
Show 12.30 - http://i37.tinypic.com/2cpaz6g.jpg
Show 13.29 - http://i36.tinypic.com/s2w934.jpg
Show 13.30 - http://i36.tinypic.com/20ie4xh.jpg
Show 14.00 - http://i36.tinypic.com/20ie4xh.jpg
Show 14.30 - http://i37.tinypic.com/281a0jk.jpg
Show 15.00 - http://i38.tinypic.com/16hn3aa.jpg
Show 15.30 - http://i38.tinypic.com/2hi9pw8.jpg
Show 17.00 - http://i37.tinypic.com/280qg3k.jpg
Show 18.00 - http://i37.tinypic.com/mvivfd.jpg
Show 18.30 - http://i35.tinypic.com/2udx09e.jpg
Show 20.00 - http://i33.tinypic.com/2qxrm9l.jpg

Kuselan Review - More like KuSTALEan...

2008-07-31T13:06:00.000-07:00

As predicted, Vasu has got it all wrong. In fact, the film should be titled, KuSTALEan because it's nothing more than a stale remake of Katha Parayumbol. In fact, this kushu is punchless. Here Vasu kollafied it to make it as a intelligent-less film. The original had full of satires towards people who get too close to a superstar, here, it's too formal and lacks the beauty.

And as also predicted, Nayantara served NO PURPOSE in the film. Songs weren't needed (original had one on mammooty and one satire song on sreeni, here the ratio is off: 3 for Rajni, 1 for Kuppatara, one for pasupati, the short end of the stick.)

But if you really must watch the film, watch it for pasupathi, he gives more than what the script requires (as seen in Virumandi and the acclaimed, Veyil). Rajni passes muster and his extension was not needed. Same goes for Meena. She's changed alot in her acting since her early days. These guys are the most underrated actors and still the mentals known as rajni and vasu spread word that it's a rajni film is nothing but a big insult. Yet, it sure spread massive orgasms to kanth's incompetent fanbase.

There was alot of superstar-isms that crossed way over the line (a lot more than what mammooty got in the original.) Too many superstar-isms spoil the movie, that says alot. Oh and those who say Livingstone's act was great, to me: eh? it was a blink and miss. Ditto goes for Prabhu and the others

G.V Prakash was always termed as a poor man's ARR. Barring his superhit albums of Kireedom and Pollathavan, Kuselan lacks any good songs. Daler Mehindi seems to get tamil mixex with punjabi. Others seem like rehashes from veyil and his mamu's bombay.

As I've said time and before, had prakash raj bought rights to this film, the film would've been left untouched. But apparently, Vasu was playing with fire and eventually, the fire spread, leading to deaths, including those who are fans of the origin. Mr. Sreenivasan, I'll forgive you for the mistake that you commited. If Chandramukhi killed the complete first half of Manchitranazhu, you can expect pretty much the same for Kuselan.

So in short, Rajnikanth was unneeded for the film, nor were the additional cast members. It's like if P.Vasu were to remake Dasavathaaram 10 years from now, he would kill of all of the intelligence wrapped up in the film and butcher it for the apparent and dumbfounded tamil audience. Then of course, there wouldn't be any critics slamming the film because there's no story. "Well of course there's story, but we wanted to see needless matrix action or rajni dumb's dialogues!" Now the latest is that Vasu's going to kollafly Shahrukh's Baazigar, the movie that gained him mass stardom for his stupid son, Shakthi in tamil. I can see it now, the climax will have shakthi living and instead the heroine will be nayan doing kajol's role.

So in short, go watch katha parayumbol (dvd's due for a release later this year) of course, if you're too dumb to actually understand the context, go watch this trash.

Rating: *

Rating: *

You know it's Rajni (ala Mental Kanth) if....

2008-07-28T11:55:00.000-07:00

Found this off the Orkut blogging community. Real Genius and so true.
Source: http://mentalfans.blogspot.com/
=====================================

You want to know who is mentalkanth. …here are the facts

kanth makes onions crykanth

Ghosts are actually caused by kanth killing people faster than Death can process them.

kanth can build a snowman….. out of rain.

kanth can strangle you with a cordless phone.

kanth can drown a fish.

When kanth enters a room, he doesn't turn the lights on,……… …. he turns the dark off.

When kanth looks in a mirror the mirror shatters, because not even glass is stupid enough to get in between kanth and kanth.

Brett Favre can throw a football over 50 yards. Kanth can throw Brett Favre even further.The last digit of pi is Kanth.

Kanth is the end of all things.

Kanth does not know where you live, but he knows where you will die.

Bullets dodge Kanth.

A Handicap parking sign does not signify that this spot is for handicapped people. It is actually in fact a warning, that the spot belongs to kanth and that you will be handicapped if you park there.

Kanth' calendar goes straight from March 31st to April 2nd, no one fools kanth.

If you spell Kanth wrong on Google it doesn't say, "Did you mean Kanth?" It simply replies, "Run while you still have the chance.

"Kanth can do a wheelie on a unicycle.Once a cobra bit Kanth' leg. After five days of excruciating pain, the cobra died.

When Kanth gives you the finger, he's telling you how many seconds you have left to live.
Kanth can kill two stones with one bird.

Kanth was once on Celebrity Wheel of Fortune and was the first to spin. The next 29 minutes of the show consisted of everyone standing around awkwardly, waiting for the wheel to stop.

Leading hand sanitizers claim they can kill 99.9 percent of germs. Kanth can kill 100 percent of whatever he wants.

There is no such thing as global warming. Kanth was cold, so he turned the sun up. Kanth can set ants on fire with a magnifying glass at night.

Kanth has a deep and abiding respect for human life… unless it gets in his way.It takes kanth 20 minutes to watch 60 Minutes.

Kanth once shot down a German fighter plane with his finger, by yelling, "Bang!"

In an average living room there are 1,242 objects kanth could use to kill you, including the room itself.

Behind every successful man, there is a woman. Behind every dead man, there is Kanth.

Kanth destroyed the periodic table, because Kanth only recognizes the element of surprise.

Kanth got his drivers license at the age of 16 Seconds.

With the rising cost of gasoline, Kanth is beginning to worry about his drinking habit.

The square root of Kanth is pain.

Do not try to square Kanth, the result is death.

When you say "no one's perfect", Kanth takes this as a personal insult.

Stars and their build-ups.

2008-07-02T16:07:00.000-07:00

http://sify.com/movies/tamil/fullstory.php?id=14707557

Apparently, as I reported yesterday even Pasupati finds it very disturbing. Even Behindwoods.com reported that Kuppathara also didn't show up to the audio function. Either it's a shooting episode for both or media is making up crap as usual. But still, it hurts, even for a good talent like Pasupati.

Why Kuselan will lack everything Katha Parayumbol had accomplished.

2008-07-01T11:43:00.000-07:00

Mr. Srinivasan, Mr Mohanan, Producer Mukesh, I must ask you all this very question. Why? Why in god's name did you sell rights to Mr. P.Vasu of Tamil Cinema? Why? You've all just committed one grave sin: Butchering.

Okay, so butchering isn't a sin. But then again what is? I'm talking about your latest cult blockbuster my friend. Yes, Katha Parayumbol, which is due for a DVD release by this summer as many Malayalam hits of last year have been popping up the shelves in my local indian store. As a recent avid watcher of your films Mr. Srinivasan, I happened to love your Udhayananu Thaaram, Arabikatha, and of course your comedic work with Sathyan's classic hit, the Nadodikattu series.

Coming to my point, the fact that Mr Rajnikanth had seen your latest work was fine. But my biggest problem is the alteration of his story to Tamil as Kuselan. As you know, Rajni is to what Chiranjeevi is to Andhra is to Bachchan is to Mumbai (you get the point). Director P.Vasu is a very known face to tamil cinema. You see, his hits with Rajni were basis from either Malayalam hits or other regional languages. Most of them contain Rajniisms that could ridicule those who are not incompetent. Take Sivaji the boss for example. What did we smart people learn from that movie? Bilkull Zero. Nada. Nothing. It was Director Shankar's work that was a big egg on the audience's faces. He was taking us for granted. I understand people watch movies for entertainment, but for god's sake give us something different. Don't give us Rajni recyclers that we all remember uttering to our family get togethers for years now. That done-to-death Padayappa greeting, that Baasha confrontation scene, you name them.

Back to P.Vasu's issue. You might all remember, Chandramukhi 3 years ago that stormed BO during our Tamil New Year. After seeing the film, I was utterly disappointed. Because as it's based off another Malayalam cult hit, Manchitranazhu, this Rajni film was NOWHERE near that greatness of telling a story. Chandramukhi was P.Vasu's way of saying, "the story is shit, but if we put Rajni, here, here and here. Take away the side character's importance that was made in the original, add in the bullet time matrix effects, pop in songs randomly and presto! Chandramukhi is born!" Then when Bhool Bhulaiyaa came, I was heavily relieved. At least Priyadarshan sticks to the script correctly. I can call him a filmmaker but P.Vasu? Nope, he's a cheater, a big cheater.

Now regarding Kuselan. Here's the changes. One, Rajni's guest spot is extended to 1 hour. 1 freaking hour! Two, some of the characters have been either eliminated or changed. In Vasu's case, it's repeat the cast of Chandramukhi minus Jothika (she couldn't act for nuts dude!) Three, why the hell have Nayanthara added to the cast? Because in Billa, she was partially naked for 1 filthy no point scene! (see review for details). She's looks ugly and has no talent, then again do all heroines have it? You decide. Four, the songs. Surely, I admired the songs work Katha Parayumbol had. 2 songs is good enough for me. But in P.Vasu and G.V Prakash's case, we need 5. 1 being an Om Shanti Om ripoff song, 1 being a Nayanthara intro and 2 being a Rajni tribute song and the last being 1/8th truthful to the original. I could go on and on about these changes but my point is....the motto or moral of the story is LOST! Completely lost.

Chandramukhi had Rajni throughout the whole film whereas in BB and Manichitranazhu, Akshay Kumar and Mohanlal come in interval as if Priyan and Fazil were telling us a great story. Vasu was basically saying, "Watch Rajni, who needs story when he's around. Oh yeah and raa raa crap". I swear, if it weren't for those trashy Rajni fans whining in the first place and Vasu's carelessness of spoiling of the better films in the film industry, I could appreciate it a bit more. Then again, Vellitherai (a remake of Srini's Udhayananu Thaaram earlier released this year) was average and a punchless satire. But at least you [Katha Parayumbol team] could have sold the rights to Mr. Prakash Raj of Duet Films. He at least treats Cinema like it should be. His past hits like Azhagiya Theeye and Mozhi are more proof of excellent movies. Pasupathi could've played barber while Prakash Raj played the Superstar. That's good casting.

So in closing, I have nothing more to say but I will avoid Kuselan at all costs. Vasu has failed me with his past films, including chandramukhi, I don't have a reason to watch your story get butchered in tamil. At least Priyadarshan is taking it in hindi without any hinderance to the original (including two item numbers, the last thing I need.) But at least he's got it right with Irfan Khan as Barber and Shah Rukh playing Superstar. I will watch that and the original. I think I'll go watch Dasavathaaram. At least I know there's a really good movie with a great message.

KUSELAN MUSIC REVIEW (2008)

2008-06-30T14:09:00.000-07:00

KUSELAN MUSIC REVIEW (2008)

Cinema Cinema is too much a blantant copy of Rahman's Mudhalvane chorus backdrop but Mahadevan passes muster in this "Devuda Devuda copy" track.

Sollamma comes to a great relief as it mirrors Hariharan's lullaby vocals supported aptly by the kids. Brings a lot of comparison to Rahman's Indira tracks and Bombay's "Kuchi Kuchi Rakamma" back in the early-mid 90s.

Om Zazare seems to be a pale comparision to DASAVATHAARAM's "Ulaga Nayagane". Oh and this is that supposidly Om Shanti Om rip off track where a dozen of stars appear. But why the lame "Vaaji Vaaji" tune rip off. But Daler does okay for his first tamil song.

Nice to hear goshal sooth her way through Chaaral along with the junior singers.

Perinba has Kailash Kher (After debuting with Bheema's Rangu Rangamma) and the over-the-top lyrics. Toss in the tune from Nayak's "Rukhi Soni Roti" and
presto!

G.V Prakash has done well but really, Katha Parayumbol had 2 tracks, a satircal comic song, which Kuselan lacks, and a Mammooty track featuring is film song sequence, which Kuselan contains TOO MUCH of (Om Zazare, Cinema, Perinba)Besides Sollamma and Chaaral, Kuselan is only for the fans only. I fear worst for the remake as the original had a message-driven soundtrack, whereas here, it's sounds forced to be a commercial entertainer like SIVAJI.

Rating: **

DASAVATHAARAM (2008) MOVIE REVIEW [TAMIL]

2008-06-15T21:55:00.000-07:00

Finally! After 2 years of patience and various hurdles across several controversies, this Kamal Hassan magnus opus finally arrived at theaters this past weekend here in Loehmann's Plaza. Any blemishes? While the Telugu version got a nice theater where English movies are screened, we get the trashy kachra like place that was dripping throughout the whole film. But never mind that, let's get onto the review.

Several questions must be boggling for those who haven't seen the film yet. 1) The film lives up to expectations. 2) The songs were placed well into the film. 3) All the avatars got equal scope. 4) Kamal the writer has done an excellent job of mixing the Chaos theory for the first time in Tamil Cinema.

Comparing DASAVATHAARAM to last year's surprise blockbuster SIVAJI - THE BOSS is like comparing a tsunami to a small boat. Once the film has concluded, you could only imagine that no one but the great Kamal Hassan could don 10 avatars in a 2.46 hours flick. That too directed by K.S Ravikumar, who's given 3 back-to-back hits with Hassan, AVVAI SHANMUGHI (1997, also remade in hindi as CHACHI 420 by Hassan himself), THENALI (2000), and PANCHATHANTHIRAM (2002). In fact, the screenplay deserves applause and appreciation as Kamal, the writer decided to go out of the box and weave the story around the events of the 2004 Indo - Tsunami event. Tamil Screenwriters and Directors, please take note from Hassan, you might even save the number the flops that you're experience right now (aside from ANJATHEY, SANTHOSH SUBRAMANIAN, YARADI NEE MOHINI, which are currently the only hits from the beginning of the year.) Even the great S.Shankar could learn how to place his obsession of graphics properly by viewing this filmand maybe give us a fresh kahani (kathai, ala a new story besides a cliched corruption episode?)

Here's the story: We are taken to the 12 century as mentioned in several news sites had mentioned prior to the film's release. Rangarajan Nambi (Hassan 1) is a devotee of Lord Vishnu who is sentenced to his death along the magnus Vishnu Idol under the reins of King Chola (Napolean) and a big sacrificeto his wife, Kothai (Asin 1). Fast-forward to present-era, Scientist Govind Ramaswamy (Hassan 2) discovers a chemical bio veil that could potentially help or destroy the world in his lab. But whenhis corrupt bosses and employees are behind the schemes of the ex-CIA Christian Fletcher (Hassan 3),events surrounding the veil lead to deaths of his co-worker's wife, Yuka, and his sneak-in into a flight to India. At Chennai Airport, he is arrested by Andhra CBI, Balram Naidu (Hassan 4, a comic relief character) in which misunderstandings occur and at the same place, famous Singer Avtaar Singh (Hassan 5, strangely enough can speak kocha tamil!) encounters blood cancer while his wife Ranjitha (Jayaprada) witnesses. Once Fletcher catches upto Govind in India along with his translator Jasmine (Malika Sherawat), a chaotic chase ends up in Chidabaram, where Andal (Asin 2) and an old lady, Krishnaveni Paati (Hassan 6), ends up witht the deadly vial and a chase involving a goddes idol, an encounter with Kalifullah Khan (Hassan 7), Vincent Poovaraghan (Hassan 8), Yuka's brother, Shinghen (Hassan 9), and in the end concludes with our president George W Bush (Hassan 10, phew!)

The story is excellent and contrary to laymen sites in the likes of Sify.com, Behindwoods.com,who are strongly biased towards Rajnikanth films (Just look at their verdicts for the heavily-cliched Sivaji - the Boss) there is nothing COMPLICATED in this film. The critics from those sites either can't take the intelligence woven around the screenplay or rather are dumbfounded. I think both. The Climax is the biggest highlight and I shall not say any more.

Music by Himesh Reshammiya is really good. In fact, post the Audio release, I've played the music several times during my workouts and in my sleep. So really all the songs are catchy. Devi Sri Prasad's Background score fits the bill well.

Again and again, Kamal Hassan deserves applause, merits, and max kudos for bringing something different to the Tamil and Telugu audience. Unlike SIVAJI - THE BOSS, I didn't have to sleep during the film because of the boring screenplay, I simply loved DASA's story. Asin also deserives praise for speaking in Iyengar tamil because frankly, that's no less of an achievement. Mallika Sherawat's role is limited but she also does her part well. M.S Bhasker makes a good comedian, unlike the likesof Vivek and Vadivelu. Nagesh, K.R Vijaya, Sunderajan, and P.Vasu do their parts well.

On the whole, DASAVATHAARAM will create new records while beating the other biggie, SIVAJI THE BOSS. The film ought to be watched multiple times and it's definetly worth a price of a ticket. Expect the Hindi version to be release later this year.

Rating: ****.5/5

DASHAVTAR [DASAVATHARAM ] (2008) MUSIC REVIEW

2008-04-29T18:01:00.000-07:00

Wow, It's 2008, and I barely have Music reviews up. You can thank the lack of
music releases up until this magnus opus, DASHAVTAR [DASAVATHARAM in Tamil, review to
come later] is the latest Kamal Hassan film, a film that's been 2 years in the making. No, it's not directed by Shankar but "Avvai Shanmughi, Tenali and Panchathantiram favorite, K.S Ravikumar. Incidently, Both Kamal and Ravikumar come together after a gap of 6 years.

However, compared to Shankar's films, this one is penned by our Log Nayak (Roughly translated: Ulaga Nayakan, or Universal Hero.) The CD had come with a story regarding it's backdrop set in the 12th Century, Scientific Crisis, Terrorism, Religion, Politics all rolled into one.What's the real story? Well wait and watch for the film then. But this post ain't about the film, it's about the Audio review by Bollywood composer, Himesh Reshamiya. A composer with several hits to his credit, he enters the Kollywood with his style. Reviews were bouncing back and forth criticizing his style but to me, in lieu of the norm music that Tamil Cinema's been giving (Where's Ilayaraja when you need him!) Himesh does an excellent job at it. Media sites like Behindwoods and Rediff only praise Rahman because they are probabaly biased towards him no matter how crappy his "recent" Tamil music is.

Lyrics are by Sameer. Tamil was credited to Vaali and Vairumuthi

1. Duniya Ke Nayak Ho [Ulaga Nayakan in Tamil] (Come Dance with Me) -Vinit Singh (Credited as Vinith)
---Fantastic peppy number by Himesh. The singer is Vinit Singh (of SA RE GA MA PA CHALLENGE
2005 FAME) and he does an excellent job at it too. A great number describing the stuff on
Kamal!

2. Om Namo Narayan [Kallai Mattum Kandal in Tamil] - Hariharan
--- A 12th Century based number that's surely to be a winner among music lovers. Featuring Hari at his best, the song should be regarding Kamal's role as Nambi.

3. Oh Oh Sanam - Shaan/Mahalaksmi [Sung by Kamal Hassan in Tamil instead]
----Another pick of the album. This one should rank high as Kamal boogies as Avtar Singh, in this bhangra like number! A Remix version is also included too. The tamil
version had Himesh debuting in Tamil. Check that out too!

4. Mukunda - Kamal Hassan & Sadana Sargam [Same in Tamil]
----A devotional number towards Krishna, this one is where Kamal's the old lady. Watch out for his vocals!

5. Hey Black Ho ya White - Shalini Singh [Kaa Karpanakkum in Tamil]
---Pop Shalini makes her debut in Bollywood with this sensious peppy number setting up Mallika Sherawat in nightclubs at Malaysia. Recommend a couple of hearings to get it through your ears.

Overall, Himesh rocks with Dasa and all credit goes to Kamal Hassan for getting the best. Certainly the best album yet in the Tamil Market.

Rating: ****

Change...

2008-02-07T15:13:00.000-08:00

As of this writing, I'm in the process of shifting over my blog under a new name. Yes you heard right. And this time, I will promote it via Orkut!

The new name will be placed under a new blog entitled, "The Desi Factor". No, I'm not going to be an ass like Bill O'Reilly's doing for Fox news, but anyways. Almost everyday, I'll be updating you with news regarding Kollywood and Bollywood and B.O status. Fans are free to comment, but this time, I'm moderating them. No biased remarks, no insults, no crap like that. Opinion as always is welcome. But just because I give my reviews doesn't mean that I'm a ____ fan. That's nothing but a cheap shot.

Anyways, just play nice. This blog will stay as an archive for past reviews. Of course, nothing's really good in theatres right now. My recent viewing of Kannammoochi Yenada will be up in the reviews in the new blog shortly. So really, enjoy this change.

Lates!

Billa (2007) Movie Review

2008-01-28T15:19:00.000-08:00

It was Chandra Barot's DON with Amitabh Bachchan that set the screens on fire.

Nearly a decade later, Rajnikanth's BILLA stormed the box-office records and entitling him the SuperStar status.

Then came SRK-Farhan Akthar (Dil Chahta Hai, Lakshaya fame) version of the DON but with a slick and thirlling output. This one become part of the highest-grossing films in Bollywood back in 2006.

Now Ajith Kumar comes to "don" Rajni's role as BILLA 2007.

This Vishnuvardhan film (PATTIYAL FAME) is neither good, nor bad. It's plain average. Remaking a classic is one thing [look at RGV's AAG for instance], but making it to fit to the standards of today. In this case: Have mass star do tricks-add in glamour to distract viewers-fill in songs for duration and repeat. If you remember I had an article related towards SearchIndia Rehka's review on this film.

In the end, BILLA 2007 doesn't quite live up to expectations. It ends up giving you an average film. But more on that later (and this doesn't mean that I'm biased towards Bollywood or SRK or a "you must be a ____fan".)

BILLA (Ajith Kumar) is an underworld don who's trade is booming with illegal underground activities. With a team behind his back, BILLA succeeds in becoming the DCP's (Prabhu) and the Malaysian Police's most wanted criminal. Along the way, they encounter Sasha (Nayanthara), who joins Billa's gang to get revenge on Billa himself. A series of circumstances later forces Velu (Ajith in double role) to impersonate Billa and so on.

Let's talk about the pros and cons of this BILLA. For instance, Vishnuvardhan has basically copied scene-by-scene of Farhan's locations from the DON 2006 (the bridge confrontations, several city bazaars, downtown fights, etc.) Also the bulk portions of the film is really really dull.

Another problem with this BILLA is the half-baked characters. C.J and Sasha's roles become utterly useless and in the end become a damsel glamour contest. Also the lack of Arjun Rampal/Pran's character is gone, giving the film some more awkward moments. Added to that, the songs by Yuvan Shankar Raja aren't upto mark. Barring the remix of "My Name Is Billa", the rest of the songs are fast-forward variety and wasted. Anthony's Edits are loose. The highpoint of DON was the ultimate climax whether as here, it's mssing. Seems like Vishnu focussed on Ajith's character and Prabhu's character while getting carried away at the same time.

Ajith as Billa is okay but it's Ajith's Velu who's the best. But the actor needs to take care of his physique as major portions of the film has his pot-bellied ponch showing. Nayanthara and C.J are okay, nothing worth mentioning. Prabhu is highly competent. Rahman is average.

On the whole, BILLA is a so-so film.

Rating: *** (3/5)

[FLASHBACK REVIEW] Chithram (1988)

2008-01-28T15:02:00.000-08:00

Recently, I've become an avid fan of Malayalam cinema. Films like Nadodikattu, Udhayananu Thaaram, Varavelpu, Thanmathra, Ramji Rao Speaking, The Tiger were all my personal favorites.

But I have happened to come across this film under a family friend's recommendation. Apparently, it's considered a cult classic in Kerala today thanks to the direction of Priyadarshan and Kerala's Megastar Mohanlal. Also co-starring Renjini, Nedumudi Venu, and Srinivasan, the film is a roller-coaster ride full of humor and sentiments.

Here goes the story: Kalyani (Renjini) lives with his uncle Kymal (Nedumudi Venu). Her father is currently working in the U.S and it's suggested that Kalyani should go to Ooty to get married. However, Kalyani declines as she's in love with someone (Suresh Gopi in Sp. Appearance). Down in Ooty, the villiager (Srinivasan) vows to be head-chief with this marriage but after hearing the news regarding Kalyani's wishes, he approves of her beau.

But things take a turn on the marriage registration day that Kalyani's beau declines to appear and at the same time, her father wants to make amends to her daughter by arriving in person. Stuck in soup, Kymal finds Vishnu (Mohanlal) and offers to pay a sum of 10,000 just to play husband to Kalyani for 15 days. What follows is a cat-mouse tale that leades to a stirring flashback and climax.

CHITHRAM succeeds in almost every aspect of a classic. The subtle comic touch in various scenes (Vishnu's alliances becoming relations, identity crisis, Kymal's excuses, money demands) all were touched upon superbly. The music by Kannur Rajan were nostalgic. The flashback song is one my personal favorites. But CHITHRAM also touches upon emotions as well. Vishnu's flashback is basically the rising action of the film, leading up to the climax. Clitches be damned, the movie was near perfect.

Now for the performances!

It's not a Priyadarshan film without the caliber of Mohanlal. Simply put: Brilliant. He makes us laugh when we want to laugh, he makes us cry when we want to cry. Give the guy a padma bhushan already! Renjini is competent. Nedumudi Venu as the Advocate uncle is excellent. Srinivasan brings down the house with his tounge-in-cheek humor.

CHITHRAM is highly recommended for those who want to enjoy cinema. Go for it.

Rating: ****.5 (4.5/5)

[Kolly Talk] Why Dhanush won't suit Venky's role?

2008-01-25T11:20:00.000-08:00

Already his latest diwali release, Pollathavan won rave reviews and appreciation all over Tamil Nadu and the film's still going strong without any oppositions.

But now, everyone's talking about Dhanush's next release. Yes, I'm talking about him and Nayantara starring in "YARADI NEE MOHINI." A remake of his brother's first telugu blockbuster, "AADAVARI MATALAKU ARADHALU VERULE" with stars of Venkatesh, Trisha, Kota Srinivasa Rao, Tamil actor Srikanth (or Sriram as he's known in Andhra) and others. Recently, original DVDs of the film were out (with subtitles) and I got a chance to take a sneak peak of the telugu original for myself. Thought I would get a chance to see what to expect for the Tamil original (provided they don't change anything to "suit the images of tamil audience.") [SPOILER'S BELOW F.Y.I !]

The movie has shades of DDLJ but not entirely. First of all, Venky's character isn't a skirt chaser like SRK was. The movie isn't relatively close to it. The THEME of the movie is DDLJ but not ENTIRELY. Just wanted to clear up on that.

Now for the highlights of the film:

Kota and Venkatesh: Kota plays the stern father whom he and Ganesh (Venky's character) have a hate relationship, but care for each other in the end. Ganesh is an unemployed youth who fails at job interviews and lives on his father's money. Things take a turn when Venky gets the job and Venky pleads his father to retire so that he'll care for everything. The execution in this scene was fabulous. It's got the traditional Selva raghavan stamp all over it (read: 7G Rainbow's Ravi Krishna-father bond.)

One of the biggest highlights of the film is this
Venky's job searching
Venky's job interview at Trisha's company

Now no more spoiling of the film. Go get the DVD!

Now you might ask: why the fuss over dhanush. Well after watching the film, there is no doubt that Venky's character won't suit the kuchi Dhanush and here's why. Dhanush is in no form of a Software engineer. He doesn't even look convincing enough (as seen in Pollathavan and his earlier movies.) Venky did a superb job doing such a role and it wasn't so easy. I also can't see Nayantara as a serious Project manager. Trisha did a great job as that and I was floored by her training torture with Venky in the first half of the movie. I REALLY don't see her doing that role with aplomb.

But Yuvan's music was superb. I have loved the telugu songs and I demand he doesn't pull a "Mani Sharma Tamil Pokkiri (read: Pokkiri Pongal over Jagadame)" Retain all of them for the tamil music lovers please!

That's it for today. Expect a Billa 2007 review later this weekend.

Jodha Akbar Music Review (2008)

2008-01-21T17:29:00.000-08:00

A year isn't a year without a biggie, even in terms of Music Soundtracks. Last January it was Mani Ratnam's GURU that stormed the music markets of India. It was songs like "Barso Re", "Tere Bina" and the foot-tapping "Mayya." Then he went down south to make things not sound cool with Sivaji and ATM. Atrocious soundtracks those were, he bounces back with the expected Jodha Akbar. That's right Joginder Tuteja, go get your ears checked because I find this album one of the best of the new year. Only difference is that the film's releasing in less than a month (Feb 15th) and with a late arrival (thanks to some certain distributors), it will now soon become latest. This Ashutosh "Lagaan/Swades" Gowarekar (pardon my spelling) - Aishwarya Rai-Hrithik Roshan starrer is bound to be lapped up for Rahman's music.

Enough of my ranting, let's get on with the songs.

Azeem-O-Shashenshah [Rating: 4/5]

Pros: The background music of the drums, making it like you're experiencing the ancient times of the Jodha-Akbar era. Also, it's more or less the teaser trailer's music.

Cons: May or May not be the "pick" of the album.

In Lamhon Ki Daamann Mein [Rating: 5]

Pros: Sonu and Madhursree's singing. The strings, what's more you can ask for. Rahman is genius for romance numbers.

Cons: You have to be a masala fanatic to not like this number. Also, you may not be a fan of Madhursree's singing.

Jashn-e-Baharaa [Rating:4/5 ]

Pros: Great singing by Javed Ali, lyrics, and a bonus, Instrumental!

Cons: People may think of it as a close-copy of "Tere Bina" from GURU?

Khwaja Mere Khwaja [Rating:3.5/5 ]

Pros: Rahman's taking the mike.

Cons: Enjoy it because the qawwali number won't feature in the movie,sounds too much "In Lamhon", Slow number.

Mann Mohana [Rating:5 ]

Pros: Goshal number.

Cons: Sounds a lot like an Ilaiyaraja number remastered.

After listening to all the songs, I have more confirmation that Rahman saves his "BEST" (read: BEST) for the North than the South. Go get it for "In Lamhon!"

Rating: ****

Pollathavan Movie Review (2007)

2008-01-19T09:44:00.000-08:00

Dhanush has come a long way in films. His acclaimed films like KADHAL KONDEIN, THULLAVATHO ILLAMAI, & THIRUDA THIRUDI. Like Hrithik Rosham, he too had his share of flops.

But hold on. POLLATHAVAN is truely a comeback film for him. For one, it's slickly made, and the narration is fast-paced. Debutant Director Vetrimaan should be applauded for his efforts.

The Story is taken from Italian short film "The Bicycle Thief".Kumar (Dhanush) lives in the slums of North Chennai along with father (Malayalam Actor Murali) and others. One day, his father gives him a sum of money in order to get a good job and a paying salary to keep the family alive. Kumar invests it on the Pulsar bike. At the same time he's madly in love with Hema (Divya). A couple of sequences later, his bike gets stolen and the story goes has he goes around town frantically getting his bike back and all.

Dhanush has done excellent and his body language is superb especially in the climax fight. Diya has improved and stands well. Santhanam, Karunas and Murali are apt. Daniel Balaji repeats his act from VETTAIYAADU VILAYAADU.

Music by G.V Prakash is average. The remix of ENGEYYUM EPPODAM is okay but it will take a while for listeners to abolish the MSV classic. His background score is great though. Technics of the film are excellent. The downside of the film has to be some songs and the "Madras bashai".

POLLATHAVAN should not be missed for it's racy narration.

Rating: ***

[FLASHBACK REVIEW] Rehnna hai tere dil mein (2001)

2008-01-19T09:07:00.000-08:00

Remember Madhavan's debut days? The struggling period that most newcomers often go through before having a "turning point". Abhishek Bachchan had it with REFUGEE but he turned over with Mani Ratnam's YUVA. Hrithik Roshan had it good with KNPH but he got sour with a festival of flops [FIZA, MISSION KASHMIR, YAADEIN, LAKSHAYA] but bounced back with K3G to an extent and KOI MILL GAYA.

Aside from that, this is one of the most underrated movies of all times. In a time where masalas, action thrillers rule the roost (down south mostly) a film like this got underlooked at. Probably because of this release coiciciding with SRK Asoka and Sunny Deol's INDIAN (not the Shankar tamil remake, that was dubbed in hindi as HINDUSTANI.) Both of them flopped along with this, but GAUTHAM MENON [KAKKA KAKKA, VETTAIYAADU VILAYAADU, PACHAIKILLI MUTHUCHARAM] didn't back off.

In fact the way Menon's presented his story is superb. A remake of his Tamil debut film MINNALE [co-starring Reema Sen], Gautham had made significant changes to this one with in the end becomes a better product than the remake itself.

Madhav "Maddy" Shastri is a typical goonda who known to be girl allergic and have a fearsome quarrel with those who go against him. His rival Samraj "Sam" [Saif Ali Khan] is the typical college hero, topper in classes and a girls magnet. Fate changes one day when both of them cross each other lines therefore leaving their last fight in the air until fate crosses paths again.
Cue 3 years later and we have Maddy as a Software Engineer instructor, who's more clean slate but also falls for Reena [Diya Mirza]. However, after knowing about her marriage to a person called "Rajeev", Maddy impersonates as Rajeev from America, who then entices Reena until a sequence of events follows, leading to the ultimate climax.

First and formost, the music deserves full brownie points. Harris Jayaraj has retained 3 of the songs from the Tamil original but has composed "Kehnna Hai" newly for this film exclusively. Camera by Varma is excellent. Edits by Antony is great. Course the post-intervals could've been trimmed a bit.

Madhavan as Maddy is the highlight of the film. Be it his flair for comedy, love, or anger scenes, he's simply competent. Diya Mirza impresses but dialogue delivery could be improved. Saif's done a great job and it shows alot better than Abbas did in the original.

REHNNA HAI TERE DIL MEIN is worth a watch. Go for it!

Rating: ***.5

Azhagiya Tamil Magan Movie Review (2007)

2008-01-05T13:17:00.000-08:00

Sruthilayam DVD were officially released last month. I managed to get a copy of this much hyped "Vijay" film. After "Pokkiri", I had lost complete faith in him. The guy has no acting talent and he jumps around like a "korungu"(monkey). They say he's the next Rajinikanth but I highly doubt that. Rajini these days is trying to keep up with the youngsters (Surya, Vikram, Ajith) but the recent Sivaji proved that he looks like a joker doing that[read:Oru Koodal Sunlight, Athiradee.]

Back to ATM, the film is basically a mish-mash of the 70-80s films. After watching Vel last week, I think Vel had a better output than this film.

Guru (Vijay) is a athlete who has the power of ESP. He forsees events that yet to happen. Followed by the MGR style of Kaadhal-Kedal managatti episodes, the heroine (Shriya) introduces the daddy (Ashish Vidyarthi) who gives the go-ahead with the marriage. However, ESP proves Vijay that he will kill his beau at a temple. Events force him to forget her and shift to Mumbai. That's when Prasad (Also, Vijay) makes his step into his "kahani".

The concept of ESP is the backbone of the film however,the director Bharathan failed to explain further. How and why he has it they don't even bother to explain. Another problem is the music by A.R Rahman. I can easily conclude that his Hindi albums easily outrival this and Sivaji clearly. The nail in the coffin has to be "Ponmagal Vandhaal". It's an insult to the Parasakthi's [Sivaji Ganesan] film's orignal composition. This film can go along with Sivaji has one of the biggest blunders of Tamil Cinema of 2007. When films like Mozhi and ParuthiVeeran can be appreciated, why create the same trash over and over again?

If you ask me, the kathai is a blantant rip-off of Vaali only with Vijay-isms [The bobbling body language, mannerisms, the ameteur Rajni like dialogues.] The heroines suck. Period. Santhanam needs to get back to Lollu Sabha if he ever wants to make it big. Stop play the hero's sidekick.

On the whole. ATM is a pale masala. Avoid at all costs.

Rating: *

[FLASHBACK REVIEW] Dil Hi Dil Mein (2000)

2008-01-03T14:37:00.000-08:00

As of this writing, it's been a week at the dub/remake central on Zee TV's Matinee shows. This week (12/31) featured "Dil Hi Dil Mein." Directed by Kathir, the cast comprises of Kunal, Sonali Bendre, Nasser, Jhonny Lever, Chinni Jayanth, and Anupam Kher.

The film starts out with protagonist, Raja [Kunal] who hails from a poor family, comes to Mumbai to do his MBA course at the Ramchandra University. Along the way, he gets into an Cyber-Cafe (Note: Film was released during the introduction of the internet-age) where he chats up with Roja. A couple of songs and whatnots later, the story takes a twist filled with tearjerkers, paariwaar and whatnot.

While the songs rendered by Maestro Mozart A.R Rahman are absolutely brilliant [Ae Nazaneen Suno Na, Chand Aaya Hai and Dola Dola are my favories] the dubbing is really poor. For about the first 30 minutes into the movie, the actors are synched well in Hindi while the majority of the film is dubbed.

Apparently there are 2 causes to blame. Kathir and the Hindi distributors. Kathir for instance had actor Kunal in Leonardo di Caprio hairstyle talk in badly dubbed dialogues while the "synched" dialogues had his "Jack" hair gone. The dubbed portions are courtesy of Tamil hit,"Kaadhalar Dhinam." In fact, you can expect this much for the upcoming Dubbed "Sivaji" hitting the North states pretty soon.

Back to DHDM, the actors who actually speak hindi are Anupam Kher, Jhonny Lever, Kunal (Non-Titanic, "Jack" hair) and Nasser (ONLY IN SAWAR GAYEE SONG). The rest of them, Chinni Jayanth, Sonali, Nasser are dubbed. That aside, the story took a steady start but got plunged into the pit of contrivance. Yet, Kathir had good intentions. For instance, no masala fights, just commericial songs. Oh and the dubbed tracks from the Tamil original were reshot in Hindi (except in instances in the beginning of "Roja Roja" where Kunal's dubbed line "Mere Roja" doesn't match the tamil lyrics.)

Acting wise, Nasser is the highlight of the show. Be it his noble intentions of admitting Kathir to the college or his poor-house background. Kunal gets it right, but the tear-jearker stuff didn't get me as misty as TAARE ZAMEEN PAR did. Also, his body language is irritating and repetitive.[read: his walking style.] Sonali sleptwalk through her role. Chinni Jayanth is apt while Johnny Lever tickles your funny bones to an extent. Anupam Kher is excellent. The camera and visuals are excellent.

On the Whole, DIL HI DIL MEIN has it shares of "dubbed" flaws, yet it's finders is often limited.

Rating: ***

Billa and Tamil Cinema.

2007-12-28T14:33:00.000-08:00

Lately, I've been spotting post after post, review after review relating to Ajit's Billa or SRK's Don. For those of you late in the game, Billa 2007 is directed by Vishnuvardhan (PATTIYAL fame) which is a remake of the Rajni starrer Billa, which itself takes credit from Chandra Barot's DON (later done by Farhan Akthar with SRK last year.)

Apparently, the film is turning out to be a good grosser but the critics aren't liking it. By critics I mean those who aren't kissing up (ala Sivaji hype) from sites like Behindwoods, Sify, Indiaglitz to an extent. Recently, I had stumbled upon Searchindia.com's blog (owned by Rekha) who reviews from New Jersey here in the States and this is what she had to say about Billa:

The worst piece of Billa was Ajith’s pathetic performance. Prancing about like a Korangu than a seasoned actor, Ajith looks wooden in most scenes. There’s absolutely no range in his emotions or his dialogue delivery.

One of the crucial scenes in the old Billa is when the Deputy Superintendent of Police (Balaji) convinces a street performer Rajappa (Rajnikanth) to impersonate the don after Billa’s death. That memorable scene was handled with great finesse by Rajnikanth but completely messed up by Ajith in the new Billa.

But wait, there's more...

While the story of the new Billa - filmed mostly in Malaysia - broadly follows that of the old Billa, the remake’s story is disjointed with a careless screenplay that is frequently jarring. To put it succinctly, Billa is the eponymous story of a ruthless criminal and the efforts of the police to capture him and his gang.

Although a movie belonging to the action genre, much of what passes for action in Billa, whether the car chases, the killings or the fight scenes, are downright pedestrian and have been beaten to death in other movies. Hardly anything to write home about let alone savor.

Even the opening scene in Billa in the airport hangar was nothing extraordinary.

Adding to viewers’ agony in Ajith’s Billa are the two so-called actresses Nayantara and Namitha.

For much of the movie, Nayantara goes around wearing skimpy black attire and an ugly frown. And she looks bad in both. Nayantara is worse than Sripriya (in the old Billa) who was worse than Zeenat Aman in that 1978 Hindi film Don, which inspired the original Billa in 1980.

As for Namitha, who plays Billa’s moll, will someone please tell this fat tramp that a gravity-defying bosom is no substitute for acting. Her song-dance scene Naan Meendum in Billa inflicted heavy pain on our eye-balls and ear-drums.
Yet, I loved this comment:
In the Seval Kodi song, Ajith looked ridiculous prancing about in jeans while everyone around him is dressed in religious garb. Is there no limit to nonsense?
Now I can't comment on Billa since I haven't seen it. But for the most part, I would say that Rekha is on target when it comes to reviewing. Thanks to the leakage of the film from youtube and other video online sites, the new Billa looks good thanks to Ajith, but the rest leaves a lot to be desired. Take last year's Don 2006 for instance. SRK lived up the role. The casting was dead-on perfect. Nothing useless or anything of that sort. The highlights of that Don was the technical stuff and of course, the much-talked climax. Here, this Billa doesn't seem to have J.J nor the climax. So really, the film was predictable and can be termed as a "typical masala." From the footage that I saw from youtube, the casting was sort of good. The only apprehension I had was with the molls. For instance, why was Nayantara frowning for? Did she have a bad stomach-ache? Didn't really suit her well. Maybe she looked uncomfortable in those skin-spandex clothes (bikini footage, vethalaya song, etc.) Next is Namitha. The scene where she's half-naked while talking to Billa (Ajith) made no purpose. First and foremost, Namitha is a fat tramp as Rekha puts it. She's right. Get on the freaking treadmill fool!
Rediff reviewers both gave Billa dismal remarks. Take a look:
Vishnu Vardhan's film suffers from stupidity. In the opening sequence, which is elaborately choreographed with the camera moving from behind a car and an airbus, Ajith throws a Coca Cola can in the air to distract not six men who have their guns trained on him. All six gape at the can as Ajith whips out two guns from his back (aka John Travolta [Images] in Face Off) and shoots them dead. The technique is impeccable. The camera is in all the right places. The special effects showing the can rotating in the air is believable. The guns look cool. After the shooting, there are even empty cartridges on the floor. Slight problem, though. Why do six men, all of them trained to kill, look up at a can when they have the most dangerous man in Malaysia in front of them?
Beacuse it's Tamil Cinema. The lack of intelligence in films have been evident. Films like Sivaji are well-known than intelligent films like Mozhi or Paruthiveeran or the recent, Evano Oruvan. Ask any tamilian, and they'll yell out "Sivaji than yenna namma thailvarkku padam than!"
Here's more:
Director Vishnuvardhan seems to have been in a dilemma as to whether to focus on Ajith or give the film well-etched characters. There are too many diversions in the form of female cleavages in the rain forests of Malaysia and garish sets.
Again, this is the major problem in the recent tamil directors. While the story may seem wafer thin, half-baked, and illogical (read Sivaji and ATM) they "itemize" it with glamour dolls and molls in the form of Mumbai models or former Bollywood actresses. There you have it. Rajni's Sivaji was so wafer thin, they had to get the Rajasthan turned-Tollywood actress Shriya to shake her assets for Vaaji and go prancing half-naked for the rest of the song(s). Yet, the film makes money thanks to the hype surrounding it. Blame the actor's ego, the hype, or the glamour. Or you could blame the rasigan (fanbase). Fans LOVE to have repeat audiences. That's why crap masalas like Sivaji run so long that eventually, Shankar just gets more appreciation to dish out even more repetitive stuff. Hello Mr. Shankar. How about another "Boys". Give us a break from your "Vigilante turned hero turned matrix-rip-off guy?" It's really wearing thin.
Frankly, Ajith has shown potential as an actor over the years. When we were in the kaadhal kathai age (mid 90s), films like Aasai and Kathal Mannan proved immensely for the "thala." Even the recent "Kireedom" was a relief to his mass image. I strongly believe that if Ajith ever wants to come up to the heights of Kamal or Mohanlal, he has to experiment more. The same can't be said for Vijay. He's been pretty much screwed with mocking the great telugu hits like Pokiri (Watch the TELUGU one people! The DVD's with subs are out!) Ghilli, and Aadi. The latter was a disaster while the other was a hit. Blame Prabhu Deva for spicing it up with Vadivelu's repetitive antics for the B/C audiences. For Vijay, mass is important, story takes a backseat ala Rajnikanth.

That's Tamil Cinema in a nutshell. Now I know why Mani Ratnam left Kollywood for good.

[YEAR-END] Bollywood and Kollywood

2007-12-26T12:59:00.000-08:00

Finally, the year has come to an end! The last official releases up North for the year were Aneez Basmee's WELCOME and actor-turned-director Aamir Khan's TAARE ZAMEEN PAR (Expect a review later today.) From the recent reports, both films have opened to full houses and postive response. For Akshay, it's another hattrick for him after back-to-back hits with Namastey London, Heyy Babyy and Bhool Bhulaiyaa. Down in Tamil Nadu, the latest to release this month was Ajit Kumar's Billa 2007. A remake of the Rajnikanth starrer in the 80s [which takes it's origin back to Chandra Barot's Don and Farhan Akthar's remake of last year with SRK] the film has taken a huge opening [as proven by the star's track record] and a good to excellent response from the audience.

Both sides aside, let's have a look at the hits and misses of last year.

Bollywood:

JAN:
GURU - HIT
SALAAM E ISHQ - FLOP

FEB:
BLACK FRIDAY - FLOP
UNDERTRIAL - FLOP
TRAFFIC SIGNAL - AVERAGE
EKLAYVA - FLOP
HONEYMOON TRAVELS - AVERAGE

MAR:
NISHABD - FLOP
RED - FLOP
WATER - FLOP
JUST MARRIED - FLOP
NAMASTE LONDON - HIT

APRIL:
BHEJA FRY - HIT
KYA LOVE STORY HAI - FLOP
TA RA RAM PAM - FLOP

MAY:
LIFE IN A METRO - HIT
CHEENI KUM - HIT
SHOOTOUT AT LOKHANDWALA - HIT

JUNE:
FOOL N' FINAL - FLOP
DHARAM - FLOP
RED SWASTIK, MP3 - FLOPS
JHOOM BARBAR JHOOM - FLOP
AAP KA SUROOR - THE MOVIEE - HIT
AWAARAPAN - FLOP
APNE - AVERAGE

JULY:
BOMBAY TO GOA - FLOP
NAQAAB - FLOP
PARTNER - HIT

AUGUST:
CASH - FLOP
GANDHI MY FATHER - FLOP
CHAK DE! INDIA - BLOCKBUSTER
BUDDHA MAR GAYA - FLOP
MARIGOLD - FLOP
HEYY BABY - HIT
RGV KI AAG - DISASTER

SEPTEMBER:
DARLING - FLOP
DHAMAAL - HIT
DHOL - HIT
JOHNNY GADAAR - FLOP

OCTOBER:
GO - FLOP
BHOOL BHULAIYAA - HIT
LAAGA CHUNARI - FLOP
SPEED - FLOP
JAB WE MET - BLOCKBUSTER
NO SMOKING - DISASTER

NOVEMBER:
OM SHANTI OM - BLOCKBUSTER
SAANWARIYA - FLOP
DHANA DHAN GOAL - AVERAGE
AAJA NACHALE - DISASTER

DECEMBER:
DUS KAHANIYAAN - FLOP
STRANGERS - FLOP
TAARE ZAMEEN PAR - (COLLECTIONS UPTO 25 crores+
WELCOME - (COLLECTIONS UPTO 25 crores+)

Total
Hits/Blockbusters: 15
Flops/Disasters: 29+
Averages: 3

Comments: Not great comparing to the success ratio of last year. Adding the hit status of TZP and WELCOME doesn't change everything though However, next year is full of surprises such as Tashan, Jodha Akbar, Ghajini Remake, Shortcut, and more.

KOLLYWOOD

JAN:
Pokkiri - Blockbuster
Aalwar - Flop
Paruthi Veeran - Blockbuster
Mozhi - Blockbuster
Pachakilli Muthucharam - Flop

FEB/MAR:
Muni - Flop
Vyabaari - Flop
Thirumuhan - Flop

April/May:
Unnale Unnale - Hit
Mayakannadi - Flop
Koodal Nagar - Flop
Maduraiveeran - Flop
Naan Avanillai - Blockbuster
Chennai 600028 - Blockbuster
Parratai Engira Azhagu Sundaram - Flop
Periyar - Blockbuster

June/July:
Sivaji - Blockbuster
Kireedom - Blockbuster
Veerappu - Hit
Thottal Poo Malarum - Flop
Aarya - Average
Pallikoodam - Average

August/Sept:
Marudhamalai - Hit
Sathum Podathey - Average
Malaikootai - Average
Tamil M.A - Average

Oct/Nov:
Kannammochi Yennada - Average
Azhagiya Tamil Magan - Flop
Pollathavan - Hit
Vel - Hit
Machakaran - Flop

Dec:
Billa 2007 - Hit

Total
Hits/Blockbuster: 14
Flops/Disasters: 12+ (includes small films not in list (source: sify.com))
Averages: 6

Comments: Seems that thanks to Billa, Kollywood has reasons to rejoice. Though the stats are nowhere near the greatness of 2004, it still looks better. However, the hits/Blockbusters seem to be on par with Bollywood's. Expect Vikram's comeback with Bheemaa, Kamal's Dasavatharam, and more next year.

Verdict: Both states have done 50% hits and 50% flops. Highlights of Bollywood would be the following: GURU, CHAK! DE, HEYY BABY, BHOOL BHULAIYAA, OM SHANTI OM, LIFE IN A METRO, CHEENI KUM, AAP KA SUROOR - THE MOVIEE. Kollywood had POKKIRI, MOZHI, PARUTHIVEERAN, CHENNAI 600028, POLLLATHAVAN, and BILLA

Billa 2007 Music Review

2007-11-26T14:11:00.000-08:00

In short, the much awaited album ends up becoming a carbon copy of Shankar-Ehsaan-Loy's chartbuster Don - The Chase begins again. Yuvan Shankar Raja, who hadn't had a good chartbuster hit since Sathum Podathey's "Pesiguren", seems to be going the "Himesh Way" and I'm not talking about his nasality (he's got Raja-sir's genes yaar!) I'm talking about his repition. Details follow...

Take the Billa Theme for instance. While Don's Revisited and Chase Begins Again themes were phenominal, the rest of the song seems to be stock tunes from his earlier hit with Director Vishuvardhan (ironically, the one directing this remake) Pattiyal. Time-pass I guess.

My name is Billa ends up becoming a short remix with some unclear vocals of singer Naveen. It's a track that's still needs time getting used to. For that, we blame MSV. Not for his music, but rather our habitual growth with the SPB tune.

The other two tracks, Naan Muttum (a pale copy of "Yeh Mera Dil" [DON] and Sei, not being the "Aaj Ki Raat" [DON]. Just imagine Sunitha Sarathy or some pop singer with some techno jig and groove and bam, there's your filler tracks.

Sevval Kodi [Maurya Re] is proably the best track I've heard in this album. For that we must thank Vijay Yesudas for giving me the grace of de-grading this review. I'm not sarcastic. Great instrumentals!

With bated breath my favorite song of the 80s Billa was "Vethalaya Pothendi" by Malaysia Vasudevan [Their version of Khaike Paan Banaraswala.] Here's it's all jazzed up with some kuthu-ized percussion and there's your remix. Add in Shankar Mahadevan and subtract the "Vasudevan" out while shooting it in "Malaysia" (pun intended). Again, it's more or less gone the way of the recent Vijay flop movie Azhagiya Tamil Magan's hit track "Ponmagal Vanthaal." This also goes the same for "My Name is Billa."

In the end, Billa 2007 ends up being an average album. In comparison to this remake and Last year's blockbuster in hindi,the latter had some great tunes. Here's it's all re-mixed and re-jazzed instead of the "Stealthness" it Enjoy "Sevval Kodi" and "Theme Music" and forget the rest.

Rating: ** 1/2

[MOVIE REVIEW] OM SHANTI OM (2007) [HINDI]

2007-11-11T08:51:00.000-08:00

D-Day is finally here!

After witnessing much speculation to whether Farah Khan could dish out another hit after MAIN HOON NA, Farah can now "Lage Raho" with her directional journey. After watching OM SHANTI OM, you'll end up with a smile on your face and a good sense of humor to tell. Forget SAANWARYA, OM SHANTI OM is the way to go!

The story: Flashback to the 70s, Junior artist Om Makija [SRK] has aspiring dreams of becoming a huge superstar but he also has a love corner for sweetheart star Shantipriya [Debutant Deepika]. However, consequence lead him to discovering that all time big-shot producer Mukesh Mehra [Arjun Rampal] is said to be married to his sweetheart and what follows is Shantipriya and Om's deaths leading to their reincarnation of present day era.

Farah deserves full marks for satirizing the film industry back in the 70s and today's standards.Namely the following: [SPOILERS below contain scenes. Be Warned!]

- The use of stock fotage from KARZ's "Om Shanti Om" track featuring reshots of director SUBHASH GHAI and SRK and FARAH KHAN [Sp Appearance.]

- Pappu [Shreyas Talpade] explaining the rise to stardom with the sur name of "Kapoor" or "Khanna."

- The Melodramatic scenes with Om's ma and beta.

- The South take [MADRAS RAJA] by SRK as Rajinikanth.

- Dreamy Girl [Obvious take on DREAM GIRL]

- South heroines dominating back then [Shantipriya perhaps?]

- The Manoj Kumar Episode.

- The Filmfare ceremony [Abhishek spoofed in Dhoom-5, SRK spoofed in Johar's off-repeated "Phir Bhi Dil Hai NRI" and "Main Bhi Hoon Na" and Akshay Kumar [sp. Appearance] for "Khiladi Returns" (Best of the lot as well!)]

and many more...

However, credit goes to the editor [Shirish Kunder] for making the film worthwhile without anything unwanted. Superb! Camera by Manikandan and Art by Sabu Cyrill cements the film's picturization glossy look overall. Vishal-Shekhar give one of the best soundtracks till date after TAXI 9211 and JHANKAAR BEATS. The 31 star track and the Dasataan track were the best of the lot.

SRK is indeed awesome in the film. Given his 70s trend or his present trend. Khan shows more proof of competence in any given scene, time, and reaction. Period. Newcomer Deepika is promising as compared to the heroines who debut, never get this much scope. But Farah deserves max kudos for giving Deepika the max footage to shine. Shreyas Talpade excells as sidekick artist to SRK as Kirron Kher does to being the melodramatic maa.

Overall, OM SHANTI OM is a masala that's got everything a Manmohan Desai's film's got. Strongly Recommended. Go have a blast!

Rating: ****/5

[MUSIC REVIEW] TAARE ZAMEEN PAR (2007) [HINDI]

2007-11-06T15:11:00.000-08:00

Shankar-Ehsaan-Loy have come a long way from their conventional compositions. From DILAGI to the popular DIL CHAHTA HAI to the recent JOHNNY GADAAR. This time, they teamup with renowned actor/producer and directional debut, Aamir Khan. His film TAARE ZAMEEN PAR is known to be a children film. Given the number of child films we had in the past, barring Mr. India and Hanuman, none of them have lived up to the audiences nor the box-office's expectations. But from viewing the promos of the soothing music from the team of S-E-L, One knows the film may be the key to reviving a genre among the Indian audiences. If English films can do it, why not us? Anyways, lyricist Prasoon Joshi [RANG DE BASANTI, FANAA, and the upcoming GHAJINI] gives us the meaningful and beautiful poetic verses in these 8 tracks.

TAARE ZAMEEN PAR (5/5)
Shankar Mahadevan is excellent. All credit must go the Prasoon, the background music and the chorus.

KHOLO KHOLO (4.9/5)
Think Pritam's "O Meri Jaan" but less hard rock. Nevertheless, it's got some great guitar and vocals.

BUM BUM BOLE (4.8/5)
A fun-filled song featuring Mr. Khan in some dialogue bits. Otherwise, Shaan goes with ease in this awesome song. Take a few times of hearings to get it sunk in.

JAME RAHO (4.6/5)
Again, it's in the phase as KHOLO KHOLO but it's got Mahadevan's vocals with some soothing music. A catchy song.

BHEJA KUM (4.7/5)
A satire on school punishments, the song is presented in a hard rock like fashion. A must hear for those who deal with such situations. *laughs*

MAA (5/5)
Shankar's back with another soft rock song. This time, it's maa. A real melody and great meaning, it sorta makes you cry. Another pick of the album. Gives me some nostalgia to the QSQT songs by Jatin-Lalit.

MERE JAHAN (5/5)
With an english prologue, the song carries off to an guitar piece accompained by chorus, Adnan Sami brings in the emotion to the music and the song. Badda-bing-badda-boom, you're sunk into the song. Great instrumental and chorus background should be noted.

ISHAAN'S THEME (4.9/5)
Composed by Amole Gupte, it brings in the international standards of piano music all together. Something that you would hear at a restaurant.

Overall, Aamir khan and the team of S-E-L must applaud themselves for bringing themselves one of the best and melodious album of the year. Forget SIVAJI, AZHAGIYA TAMIZH MAGAN and SAAWARYA, this is where the TRUE music is. Picks of the album include the title track, Kholo, Jamhe raho and Mere jahan.

Rating: *****/5

[Rant/News] Diwali Mela 2007 (Saanwariya vs OSO and South releases]

2007-11-01T18:43:00.000-07:00

November 9th can't come soon enough.

With just about a week left-over till D-Day (D being the Diwali Day), both Sony Pictures and Eros International aren't leaving any stone unturned. From televised promos to fashion shows to press meets to guest appearances and news channels. Yes folks, I'm talking
about the forthcoming biggies: "Saawariya" [Sanjay Leela Bhansali] taking on Om Shanti Om [Farah Khan].

The latter's film comprises of Shah Rukh "King" Khan, Shreyas Talpade and newcomer Deepika while Bhansali's magnus opus consists of the next generation of kapoors, Randhir and Sonam. Already both films have become the rage and talk of the towns as recent releases (ala pre-diwali films) have been nothing short of but flops. The onlyexception to this is Priyadarshan's "Bhool Bhulaiyaa", which is declared "Super-hit" and still running packed [A remake of Malayalam classic, "MANICHITHRANAZHU".] Reasons for the flops? Blame the "Clash of the Titans" of course!

If I had to choose over a film, I definetely go for Om Shanti Om and here's why. Before you folks decide to go and brand me as an "SRK fan follower" or "SRK fan" what so ever, let me explain. Om Shanti Om has all the makings of a blockbuster. If memory serves backto 2004, when her debut film "Main Hoon Na" released, it was filled with speculation and doubt because people didn't believe that Farah had it all to become a director. Yet her film was declared one of the biggest hits of that year and people were waiting for what Farah hadin store. In Om Shanti Om, the story retells about Reincarnation. The closest thing to what we got to reincarnation was Salman's "Hello Brother" and Arjun Rampal's "Moksha" to which both were disasters in that subject. However, Farah has a theme to the 70s and the promos and trailers looks damn impressive. All she has left is to decide how the audience takes it. Secondly is the music. Vishal-Shekhar have earned a big niche for themselves in Bollywood today (they were also music mentors for Zee Tv's SA RE GA MA PA Challenge 2007.) With hits of SALAAM NAMASTE, TAXI 9211 and JHANKAAR BEATS behind them, the duo-composers have successfully earned themselves a musical hit with Om Shanti Om. Songs like "Ajab Si" and "Main Agar Kahoon" are still playing in local stores and cd players while popular charbusters like "Dard E Disco" and "Deewangi" are fast dance numbers and popular among the public
post their music release.

If you remember last year, SRK had DON ( a modern remake of the Amitabh Bachchan starrer) while Salman had JAANEMANN (Shirish Kunder's debut, Farah Khan's husband) pitted together in October 2006. The former had been declared a blockbuster while the latter ended up becoming critically acclaimed but a commercial dud. So really, SRK has the market of making any of his film a hit at the Box Office (Chak De India is a prominent example of this.)

Now let's talk Saawariya. It's a Bhansali film so you expect big production values and glittering humongous sets and whatnot. Recently, he's been faltering somewhere along the line. If you guessed music, you're absolutely right! The Saawariya music was released withgreat fanfare but in terms of public opinion is really...mixed. Barring "Jab se tera" and the title track, the album is nothing really special. It's more or less below average. I distinctly remember the
days when he and Ismail Darbar were an item. They gave us the classic"Hum Dil De Ke Chupke Sanam" and his version of "Devdas." Numbers like "Aankhon Ki", "Dholna Re", and "Dhol Baaje" are still legendary to the public's ears to this very day. By the time the split had spread word,
people were in disappointment that the classic we all loved was now defunct. His last flick, Black [A remake of MIRACLE WORKER] managed to flop at box office but no one really cared about that MD of his. Monty Sharma, an unknown name to all, can't really get his notes right. The
rest of the album is a pass muster and there's no repeat value in them in comparison to Om Shanti Om.

As far as story goes, it's taken from an Italian film classic. Debutants Randhir and Sonam make look fresh and energetic in the promos, but the story looks like a typical Muslim - Hindu tale. We were dragged into one called "Veer-Zaara" 2 Diwali's ago and now it seems to be the case again. However, rumors are agog that it's a tale of Randhir's character who observes muslim Sonam, who awaits her lover, Salman by that infamous bridge you see in those damn promos. Rani as the prostitute observes Randhir and gets that "feeling" going on and whatnot. Knowing Bhansali inspired route, this is LIKELY the case. The big question is: Will the debutant Kapoors live up to their household names? Will Bhansali score another hattrick?

Down South, Kollywood's (Tamil Cinema) awaiting Ilayathalapathy Vijay's forthcoming film "Azhagiya Thamizh Magan" (Handsome Tamilian.) Already the songs tuned by Mozart of Madras, A.R Rahman are a hit with the crowd with numbers of "Ellappugham", "Nee Marlyin Monroe" and "Kelamal". However the suprise packet is the "Ponmagal" remix from the old film, "Sorgam" [Starring the late Sivaji Ganesan.] The film also stars Sivaji fame "Shriya", Namitha, and "Lollu Sabha's" Santhanam. It's said to be a non-remake so let's hope actor Vijay gets it right this time after the critically panned Pokkiri. Also releasing this Diwali is Priya V's [KANDA NAAL MUDHAL fame] film, Kannammochi Yennada. Starring Prithviraj and yesteryear actor Satyaraj, it's another breezy entertainer from the helm of a former Mani Ratnam assistant. The music by Yuvan Shankar Raja have already already become chartbusters. Other major releases down South include MAACHAKARAN [Jeevan (Thirrtu Payale fame)], POLLADHAVAN [Dhanush] and the possiblity of VEL [Surya]. Again, nothing spectacular compared to last year's VARALAARU but ATM and KY should be big starrers while the rest depend on audience's taste.

[MUSIC REVIEW] Azhagiya Thamizh Magan (2007)[TAMIL]

2007-10-22T14:50:00.000-07:00

Rahman needs no introduction. Neither does Vijay, or as he's fondly called by his fans: "Illayathalapathy."

After smelling success with Sivaji the Boss, Rahman dishes out with Azhagiya Thamizh Magan. Coming up with 6 numbers that are picturized with the likes of Vijay, Namitha and Telugu star, Shriya, fans have been eagerly waiting to see if the Mozart of Madras has more in store after his last outing.

First things first: Rahman's ATM is indeed a STEP better than Sivaji. I have given him every pot-shot for his laziness in Sivaji and as a dedicated Rahmaniac from his debut days, I had him on my number 2 list, number 1 being Isaignani Ilaiyaraja (who could forget those Agni Natchathiram, Dalapathi, Nayagan, Mouna Raagam, Idhaya Kovil, Vikram, Varsham 16, and other classic hits?) Rahman then continuded to surpass my expectations and from then on, he began to dish out chartbuster after chartbuster after chartbuster. For that reason, we must credit heavily to Mani Ratnam [ROJA-GURU] and to directors like Shankar [GENTLEMEN-BOYS], K.S Ravikumar [MUTHU, THENALI, PADIYAAPA, VARALAARU], Ram Gopal Varma [RANGEELA], and Subhash Ghai [TAAL, KISNA]. Why? For their ability to visualize the music that synched beautifully with the film. It was like that for the majority of the 90s. Today, Rahman manages to give us the good stuff but honestly, he had faltered in the past. Rang De Basanti was peppy, Guru was class but Sivaji the Boss wasn't extraordinary. It was okay music. Barring Sahara and Vaaji to a certain extent, the rest of the album dissappointed big time. Balleilakka was something that he took from Devuda of Chandramukhi, the majority of the numbers were more or less rap numbers indianized and that Athirade song was just...ambiguous to understand with all the mumbo-jumbo going in the background.

Aside from all that nostalgia, let's have a look at the songs.

ELLAAPUGAZHUM (A.R Rahman) Rating : 4/5
The song is most likely Vijay's staple intro song. The whole song as a whole has heavy shades of Anbe Aaruiye's title track. It's got Vaali's lyrics so you know the song will have some meaning. Despite being a sentimental song about poor people and thangachi doting and etcetera etcetera. Probably the best of the Vijay songs after that sad Pokkiri and his recent crop of masalas.

KELAMAL KAIYILE (Saindavi & Sriram Parasarathy) Rating: 3.8/5
It's a more or less your eurobeat number mixed with some addicting choral sirens. It's got a Rahman stamp all over it. However it's got a heavy "Sahara" hangover from Sivaji mixed in and "Ilamai" from Varalaaru. Nevertheless, Vidyasagar favorite, Sriram Parasarathy and newcomer Saindavi excell here.

MADURAIKKU (Benny Archal and others) Rating: 2/5
Remember that popular song from Thenali, "Hoja ye" and that recent Pokkiri mass number "Pokkiri Pongal?" It's basically that with Pravin Mani's version of "Baila Re" from Little John. Skippable as it's your staple village track. It's strictly so-so.

NEE MARLYIN MONROE (Ujjanee and Benny Archal) Rating: 3.9/5
Pretty good song and I would've rated it even higher if it weren't for the dubakoor english thrown into the song. Is it me or did you guys get shades of Boys songs "Girlfriend" and "Maro Maro". Cause I did. It's a good song and I have a feeling that the female voice, Ujjanee is from that Zee TV Winner of Sa Re Ga Ma Pa : Ek me aur Ek Tu. Because if that's not her, I don't know who is. Only the mozart can confirm this ;)

PONMAGAL (Aslam and others) Rating: 2.9/5
How ironic it's sounds so familiar to Bluffmaster's "Sabse Bada Rupaiya." It's a passable track but the beats and background music make up for it and the grace rating. It's your typical remix like song but Aslam is a good singer. Some later parts of the song has the tune from "Inisai."

VALAYAPATTI (Naresh Iyer, Ujjanee, Madhumitha) Rating: 3/5
Your average duet. No more shall be said.

On the whole: AZHAGIYA THAMIZH MAGAN is a TRUE Rahman album that you leave a lasting impression. Forget Sivaji, AZHAGIYA THAMIZH MAGAN can be added as one of the top albums of 2007 along with the likes of MOZHI, CHENNAI 600028, KIREEDOM, KUMARAN, BHEEMAA, KANNAMMOCHI YENADA, SATHUM PODATHEY and now this. Only con of the album has to be the Madurai track.

Rating: ***.5/5

[SATIRE] The headlines of Kollywood

2007-10-21T15:38:00.000-07:00

[CASE: Rajni's antics]

Behindthewoods report - Today the SuperStar ate a cheese sandwich today! It was filled with masala podi and mahalapodi and chickpeas. Fans of the Superstar were rumored to know that it tasted good. However, Rajni denies he said that as he was not available to comment.

Sify.com report - RAJNI EATS SANDWICH! The superstar today had a delightful lunch at a local hut where only middle-class indians can afford. Today, our superstar was seen eating a masala sandwich while his desperate fanbase was watching gleefully. There were rumors going around that Rajni had planned to eat a sandwich as he was fed up with masala dosas and idili's. Remember that Rajini ate a Pizza at Pizza Hut when he got tired of living with rasam rice and sambar!

[CASE: Vijay's ATM]

CATEGORY: ATM Launch

Behindthewoods report - After that blockbuster hit BAKERY, our Ilayathalapathy has signed onto his next venture entitled, NALLA THAMIZHA. There are reports that it's another Telugu import from PRAMANDHA CHEPPANDI but this time, Vijay borrows it from Hindi flop, ACHA HINDUSTANI. Vijay was unavailable for comment as he's too busy watching Mahesh Babu act so that he can copy his style too.

Sify.com report - ILAYATHALAPATHY'S NEXT! Our Ilayathapathy is enjoying the 10 day run of Bakery but now he seems to be in a rush for his next venture, Nalla Thamizha. Rumors are going agog that it's a remake of a Telugu blockbuster Pramandha Cheppandi while disclosed sources claim that it's a copy of hindi hit, Acha Hindustani starring Abhisheshtan Batchan and Kuppaiwarya. Remember that Vijay has a knack of copying films from Telugu such as Naan Okkadu, Pathi, Thirrutu kuchi in the past. Only our Ilayathalapathy can confirm this.

CATEGORY: ATM heroines

Behindthewoods report - Telugu import Shreeka has found success in Baaji: the dish along with Superstar. Even though she can't speak tamizh or have any good sense of acting, she was bagged by our Ilayathalapathi Vijay, who found success with Bakery for his next recycler: Nalla Thamizha. She plays a vulgar lady opposite to our Vijay who's half naked and dances for Ilayathalapathi's front benches and have no lives. Shreeka comments: "I love Tamizh cinema. It gives me good opportunities to do nothing but be concubines to the superstars, the thalapathis and whatnot. Plus, I'm shedding my wardrobe to win acclaim with biased reviewers." Also casted opposite Vijay is Vambitha, the obese actress with 0% of talent. She also comments, "Finally, I get to play Vijay's bodyguard in a song sequence. It's my long time dream to shake my flabby body along with Ilayathalapathi even though I've made claims that I'm not fat in the press releases."

Sify.com report - Sreeka and Vambitha bag Vijay's next! Baaji the dish is still making waves thanks to repeat audience and piracy! Sreeka, the vulgar heroine has bagged her next recycler opposite to our Ilayathalapathi in Nalla Thamizha. Vambitha, the obese Shakeela, has also bagged Vijay's next as well. Sreeka comments that she needed some money after wasting all her Baaji collections on skimpy wardrobes. "In Nalla Thamizha, I have a 5 reels of appearances before I get chopped off for Vijay's sequences." Vambitha couldn't comment on her acting as she's too busy showing off to the public more that what they bargain for...

[RANT] Kollywood's heroines [PART I]

2007-10-17T15:30:00.000-07:00

Sivaji, ATM, or (insert any big budgeted film with superstars.) What do these films have in common? SuperStars like Rajini and Vijay. Anything else? How about those heroines, hmm? Remember them? Really? Tell me what their so called part of the film is?

.....Time's up! The correct answer is "absolutely nothing!" That's right. Nada, zilch, zero! What they claim to say about themselves in interviews and press? Bullshit. Absolute lies. Today's Kollywood is more or less the "money-spinning " machine for the superstars because nobody cares about "story" anymore. They care about "sleaze", "iterm numbers" or better yet, "hero's figure."

Have a good look, no seriously a GOOD look at the cinema Kollywood MANAGED to give us: Mozhi gave us Jo's blind character, ParuthiVeeran had scope on Priyamani's character, hell, look at Mani Ratnam's films for god damn sakes! Those films actually gave a damn about portraying strong female characters. Even Kireedom had Trisha portrayed as a comical character and that was a tad better than sitting around for Santhanam's crass comedy or Vivek's repeated acts.

Case in this point: Sivaji the Boss. The film was a blockbuster no doubt, but only because of 2 things. 1) Rajni's over-obsessed fanbase and 2) Shriya's sleazy looks. Period. The film didn't boast of a great story or characterization or plot (those who haven't seen it, my advise: avoid it. It's Mudhalvan, Gentleman and Indian remixed.) Every tamil forum site I visited during the film's release period, they all rave about Shriya's performance. What performance? Did I watch a different film or were they just wiping the drool off their faces from watching her vulgar dance steps and skimpy costumes that makes the film border an U/A rating. In fact, the irony here is that Rajini's character in the film boasted of her as a simple "tamizh" girl, yet the song sequences have a different story to tell.

Still don't buy it? How about that rumbum called "Thiruyadhal Arambam?" It's got Dhanush playing that shady version of Rajni's Mr. Bharath right? Nope. Go ask anyone in the blasted forums or ask any cinema crazy person down South. Nope. People remember Shriya's designer looks, that's about it. As it is, she can't utter a single tamil word [read Koffee with Anu episode] nor manage any kind of acting skills. She's basically another "wooden face." She's only face for her "valley girl" roles that REALLY don't boast much off. Going by the latest "ATM" snaps, it's basically Sivaji Mark II only Masala Monkey Vijay's taking over Rajni's role. I pray that the film gets bankrupt.

Speaking of "ATM" how about that "Namitha?" Remember that *big* article about how she's "reportedly" lost all that weight and crap?" Guess what? You've been BS'd again! I love it how the media sites like to mess with the human mind whenever the news of "ZOMG! Rajni's doing a film with t3h Mani Ratnam!" Yayz!" OR "Rahman's t3h awesome's cauz he's got better muzak skillz than copy-cat Jeyaraj!" Back on Namitha, just have a good look at this pic: http://www.behindwoods.com/image-gallery-stills/photos-4/tn-award/tn-govt-film-award-12.html.

So in closing, would the directors and writers of the film actually give a damn about the heroine instead of portraying her as a "front-bencher", or a "pointless' character, cause it really beats the purpose of making the movie. Heck, I think this is why directors like Priyadarshan and Mani Ratnam vowed to never come back to Kollywood again cause of this kind of situation. Going by our present situation, it sure looks like it.

Be sure to catch Part II, where I'll slam more on portrayals in movies [Asin, Bhavana, Jo] and more!

KUMARAN (2007) MUSIC REVIEW [TAMIL[

2007-10-15T18:40:00.000-07:00

Dubbed Telugu films continue to make a mark in Kollywood. Be it "Udamba Eppadi Irukku" from Dr. Rajashekhar [Their version of the Sarath Kumar release, "NamNaadu"] and the latest Trivikram release, "Nandu"[Athadu], this next one is also a dubbed film and it's got the common factor of Trisha and Telugu Superstar, Mahesh Babu [Last seen in dubbed latter.] This one hails from the Telugu disaster of last year, SAINIKUDU. Aside from that, the film boasts of creative numbers from Kollywood's happening maestro, Harris Jayaraj. After Bheema, Jayaraj dubs his Telugu chartbusters into Tamil witht the help of Viveka Snegan, Paruthi and Na. Muthukumar [KIREEDOM fame]

Tippu and wife Harini give it their best with "Oru Banaram." Originally sung by Indian Idol 2 Runner-up, N.C Karunya, one wished that the latter could've re-sung the popular chartbuster in the Tamil version. Nevertheless, Tippu manages to emulate Karunya while Harini supports aptly. Malathi also joins in with a viliage tone during the song. The song is somewhat inspired from the popular A.R Rahman hit, "Chaiyya" from "Dil Se."

Newcomer: Senthil Dass joins in with "Go Go". A phenomenon in Telugu, one wonders if did justice to the Tamil dub as well. Supposidly, it's the title track. You're the judge for this one!

The other numbers: "Nizhal Endrum" and "Byla Baylamo" are good mass numbers that would give people a run for their money, or better yet, an encore.

Sadly, Anuradha Sriram falters with "Sorgathil". The Telugu version was apparently a big hit next to "Banaram" but as far as the Tamil dub goes, it's more or less an average track.The last one "Pombala" by Anu Sriram and Karthik is a good duet number. Should also be a chartbuster as well.

Overall, Jayaraj does a decent job in dubbing the tracks from the Telugu film. One wishes that him or the associates had recycled his singers from the original into this album. It is what Mahesh Babu [who has marketed the Tamil dub] should've thought of before dubbing the songs into Tamil. Nevertheless, enjoy "Oru Banaram", "Pombala" and "Go Go" while the others are time-pass. Unfortunately, the film bombed badly last December and it's uncertain how it's fairing in Tamil Nadu. Still, the album's worth a hear.

Rating: ***.5/5

Movie Review : DHAMAAL (2007) [HINDI]

2007-09-30T07:19:00.000-07:00

From PARTNER to HEYY BABY, seems that Comedy films are the only way to success. Which brings us to our next case: DHAMAAL. Indra Kumar directs this wacky comic laughathon that will leave you all in splits. Right from the word, "go" the situations, the humor, the funda, everything seems to gel out well, therefore giving the right prescription to humor.

To sum it up: DHAMAAL suceeds in giving you the laugh treatment you awaited for all the time. Ek dum jhakass seems more like it.

4 bums [Arshad Warsi, Riteish Deshmukh, Aasish Chaudhary, and Javed Jaffery] are idiots in life, until they meet up with a dying man [Prem Chopra] who assists them in the secret of the burial of 10 crores in a resort in Goa. Along the way, they meet up with selfish people [Sanjay Dutt], [Asrani] and the Baba singh, who also in pursuit of the money. The rest of the story then unfolds.

While the first thought from the film deviates the plot from Priyadarshan's MALAMAAL WEEKLY, it's actually directly lifted from videshi hit RAT RACE [2001]. Nevertheless, the scenes with Sanjay and the bus kids are hilarious while the portions with Aasish Chaudhary are unbelievable. These guys know how to act in elan!

However, all credit must go to Javed Jaffery. Probably one of the outstanding peformers after Tusharr Kapoor's dumb act in GOLMAAL (2006). Second comes Aasish Choudhary for his mimicry, then Riteish and Arshad. Sanjay the rest are competent and make their presence felt.

On the whole, DHAMAAL is time-pass paisa vasool entertainment. Go watch it for laughs!

Rating: ****

[FEATURE] Amul Spoofs

2007-09-30T07:02:00.001-07:00

The famous Amul butter from India has spoofed so many things that are filmy related. Take a gander at what is what for yourselves, then we'll help out if you're lost.

Music Review: Om Shanti Om (2007) [HINDI]

2007-09-19T16:11:00.001-07:00

Farah Khan, the choreographer turned director [Main Hoon Na (2004)] is one film old and already she created waves in the Hindi film industry.

The film boasts of King Khan's return to Farah's direction after 3 years. Khan, who's Chak De! India has be declared super-hit, is riding high on it's success and he hopes to continue his winning streak with this film, Hirani's next and S.Shankar [Sivaji the Boss fame] with "Robot". Also in the cast is debutant, Deepika Padoune [Kannada fame], Shreyas Talpade and other stars.

Music director-duo Vishal-Shekhar composed some retro tracks based off the films. In the end, we can forgive them for the hip-hop that was CASH and success with OM SHANTI OM.

Main Aggar Kahoon (4.9/5)

If it weren't for the Ilaiyaraaja hangover for this track, the song would undoubtly be the best of the lot. Sonu Nigam is back in form after along time. Must have been a heavy toll for the singer with his tours, his newly born kid and stuff. Shreya Goshal supports aptly with Nigam after a long time.

Dastaan-E-Om Shanti Om (4/5)

A dark and gutsy song with some great organization. The main problem is that it's got Shaan croon for the dark and gruff-like song. Nothing wrong with that. I just felt that he was decent but I strongly feel that a singer like M.G Sreekumar, one of my favorites would've been rocking in this track as song but I guess the background score makes up for it.

Ajabi Se (4.6/5)

The songs seems strikingly familiar. Can't remember where. Anyways, KK's decent, if only they roped in Vijay Yesudas for this, the song would undoubtedly be the best. It's okay in the end.

Dhoom Thana (3.4/5)
The tracks' just average. Nothing remotely interesting aside form Goshal's voice and that Date's vocals.

Deewangi Deewangi (4/5)
Another good song. But did they really have to repeat the same "retro" tunes. I under stand it's a "retro" movie but jeez man! Hard to differenciate!

Dard-E-Disco (5/5)
Best of the lot. Go Sukhwinder saab!

On the whole, OM SHANTI OM is pleasant album to play anytime anywhere. To be frank, it's a step up to that slow poke OST that is the latest SAAWARIYA.

Rating: ***.5/5

Movie Review - RGV ki Aag (2007)

2007-09-06T19:18:00.001-07:00

Let's put speculations and criticism to rest. Yes, it's a remake of the all-time blockbuster SHOLAY. Yes, somebody is crazy enough to remake it. Yes, it's our very own Ram Gopal Varma, who's given us hits like SHIVA, RANGEELA, RAAT, SATYA, COMPANY, BHOOT and the recent, SARKAR. Yes, it's consisting of a pretty-darn A-list such as Amitabh Bachchan, Mohanlal, Ajay Devagan, and Sushmita Sen. Yes, it's got Varma's favorite, Nisha Kothari as Basanti, sorry Ghungroo, the rickshawala, and debutant Prashant Raj as Jai, err Raj.

I'm not going to be like every damn critic and blsat RGV immediately by flaming that this remake sucks or I warned you before and so on. Instead, AAG is convential. There are certain parts of the movie that have Varma's stamp all over it. In the end, the film doesn't end up becoming a SHOLAY copy but rather SHOLAY directed by RGV.

No point in going over the tried-tested story but as far as performances goes: Mohanlal steals the show, or rather the movie. He proves to the other artists, why he's Kerala's most sought actor and national winning too. Second comes Amitabh Bachchan, who is highly competent as Babban Singh. Surely, Amjad Khan would be proud of him. Though he gets a bit carried away, he still stands tall for the juniors. Another competent performer is none other than Sushmita Sen.
Out of the the juniors, Prashant Raj makes a confident debut with the right body language and Characterization. Ajay Devagan is okay. Nisha Kothari is average.

As far as music goes, Mohile goes over the top with the background score making it too cheesy. But some songs that are worth listening to: Mehbooba, and Jee Le. That's about it.

On the flip side, the second half could've been trimmed better. The prem kahani was unecessary as well as Rajpal Yadav's comedy irritation.

On the whole, RGV ki AAG is a brave attempt and daringly different from Sippy's original classic. Too bad the junta has declared it the biggest disaster of the year since JHOOM BARBAR JHOOM.

Rating: ***

Music Review - Bheemaa (2007) [TAMIL]

2007-08-23T08:15:00.000-07:00

Vikram and Harris Jayaraj are back! After rendering hits like SAMURAI, SAMY and the most recent ANNIYAN, the two come together for his next biggie, BHEEMAA. Also comprising of actors Trisha, Prakash Raj, and Raghuvaran, the movie had been delayed several times due to the overrated Rajni film, Sivaji. Now it looks like it will be a Deepavali release this fall. With lyricists comprising of Pa. Vijay, Thaamarai, Yugibharati, and Na Muthukumar, the album is sure to be chock full of melodious tunes. Take a look.

Ore Mugamo consists of singers Krish (of "June Pona" - Unnale Unnale fame) and of course, the Naresh "Roobaroo/Paathshala" Iyer. An interesting melody that starts off slow and ends up becoming a very good piece of music. Not a regular tune that we've observed with Jayaraj in the past.

Mudhal Mazhai is simply superb! Why you ask? Well for starters, it's rhythm is beautifully maintained throughout the whole song. Secondly, we have the legendary Hariharan and graceful Malathi who croon behind the track. Thirdly, the song is so tempting that it's recommended that you hit the "repeat" button on your CD player because it's worth listening too again and again.

The title Ranga Rangamma may imply a village track background. When in reality, it's really a track that's percussion full of good stuff. If you thought Vijay Jesudas got the bitter end of the stick in Sivaji the Boss (his track was the best of the album, but got jipped for time compared to Udit Narayan's version) then you should listen to him in full potential with this track. Joining him is Hindi pop singer, Kailash Kher. What's even suprising is that for an Bollywood singer, he impresses for his tamil debut with his flawless tamil diction. Swarnalaya also supports for feminity.

Siru Paaravaiyaale is also another asset to the album. Singers Karthik and Harini are known voices in the industry. As always, Karthik provides the kid-hearted self as the male vocals while Harini does the same. The highlight of the track is probably the assigned instrumentals inbetween the verses. The whole track is full of excitement and fun-filled melody.

Ragasiya Kanavugal brings the "Vaaji Vaaji" duo back again. Yes, I'm talking about Hariharan and Madhushree. The two of them do what's best in this track and I'm going to stop there.

Enadhuyirae is the final track of the album. The only thing that seperates the vocals from the female voices (Sadhana Sargam, Somya Raoh, Chinmayee) is the debutant singer Nikhil Matthew. Probably one of the gems of the album next to Kannum Kannum Nokia and Sami da...

Like I had said before, BHEEMAA is chock full of beautiful tunes that should not be missed. Mudhal Mazhai, Siri Paravaaiille, Ragasiya, and the rest of the songs are something that go beyond the orthadox that we were used to hearing from Jayaraj all the time. This time, Bheemaa's tunes sends the Jayaraj detractors idilli to their face. Move over Sivaji, Bheemaa is here!

Rating: ****1/2

Movie Review - Kireedom (2007) [TAMIL]

2007-08-20T02:13:00.000-07:00

Remaking a Malayalam classic into another language isn't very easy. The remake version of the original may sometimes succeed or it may sometimes flop badly. Like Joesph's Vijay's success with GILLI [2004] from OKKADU [2003] but flops with AADI [2006] from ATHANOKKADE [2005]. Hence why production houses often dub the originals rather than remake them.

Director A.L Vijay gets it right with KIREEDOM. By changing the subtlety from the Malayalam version into Tamil, he's not only given some commercial factors into the film but some outstanding performances. In a nutshell, KIREEDOM works big time. The film would've ended up becoming something hard-hitting hadn't been worth for the climax change (Post July 28th release).

Rajkiran plays a police inspector who dreams of making his son Sakthivel [Ajith Kumar] a police officer. Once Sakthi receives the letter of appointment from the Head of the Police department, Sakthivel and his father train to overcome all obstacles and at the same time, share a strong bond between father and son. In the process, Sakthivel meets Divya [Trisha] and she falls for him. Meanville, Rajkiran encounters an MLA son and arrests him for notable consequences but then gets entangled with rowdy don Vardhanrajan [Debutant Ajay]. In the process, Sakthivel resorts to violence after watching the devastation of his father by the rowdy don. How he recuperates with it soon follows.

As mentioned earlier, the tamil remake does a splendid job of pacing and balancing the acting and showcasing the chain of events. The only downside of the film is the abrupt climax done by request of Ajith fans. I pity them for the climax would've made me rate the film even higher.

Music by GV Prakash is outstanding. All the songs linger in your mind but Kannavellam and Kaneer Thullaye stand out the most. In fact, these songs are much better than the bash of musical dysfunction that was Sivaji. Camera by Tirru is brilliant while the writing by Lolithdas and Muthukumar show effficiency.

Hats off to Rajkiran and Ajith for the outstanding performances as father and son roles. Watch for Ajith in the pre-interval/ second half as he scores in full rate. Trisha excells in her part. Moreover, she's gorgeous. Ajay as the villian is strictly okay. Vivek, Santhanam, and V.M.C Haneefa tickle your funny bone to an extent.

On the whole, KIREEDOM is a family entertainer. Box-office wise, the film has acclaimed hit-status and should grow even bigger. Strongly recommended.

Rating: ****/5

Movie Review - Harry Potter and the Order of the Phoenix (2007) [ENGLISH]

2007-07-15T09:17:00.000-07:00

Normally I never do reviews for English movies but I insisted on reviewing this "hyped" up sequel to the last 4 (The first two being gems and the 3rd being bad. 4th was good.) Warner Bros brings us the 900 page book onto the silver screen.

HARRY POTTER gets some stuff right and the rest well, not so right. The pacing in the whole film probably one of the biggest problem with the film. 30 minutes into the film and you're left to either snooze off the rest of the film or to become restless because the film is testing your patience.

Another problem with HARRY POTTER is that the film gets too dark and some of the dialogue is hard to understand or digest (mainly Rupert Grint/Ron's lines.) In a nutshell, HARRY POTTER doesn't live up to the book standards or the popcorn standards of entertainment at all. It just makes you wanna leave the theater immediately.

No need to go into plot detail since it's based off the book. But as far as Acting goes, it's a Dan Radcliffe show all the way. In fact, it would be right to state that all the kids have grown up right from the SORCERER'S STONE. But the actress who really surprises you is the character of Umbridge. She does her part fantastic as per the book's characterization. However, several parts from the book were chopped off to fit the movie within 2:30 hours of duration. I would imagine seeing them in deleted scenes perhaps?

On the whole, HARRY POTTER 5 is critically dull and ambiguous but it will face a tough B.O competition to the supreme TRANSFORMERS, which is already raking more money as we speak and to the August releaes: RUSH HOUR 3, BOURNE ULTIMACY, and more.

Rating: **1/2

Music Review - Kireedom (2007) [TAMIL]

2007-07-02T08:00:00.000-07:00

After the much hyped "Sivaji - the boss" has finally released, the fans can now heave a sigh of relief and await their "thala's" next. Kireedom is a said remake of the Mohanan-Lolithdas 1989 Malayalam hit by the same name. With the treatment given by director A.Vijay,an associate of Priyadarshan, one hopes to give Ajith a much needed hit after that disaster that was Aalwar. But lets put that aside and focus on the music composed by G.V Prakash Kumar, better known as ARR's nephew who gave us VEYIL earlier this year. Kumar manages to salvate you his mesmerizing music that you would want to listen to all the songs (Vilayaadu is an exception but more on that later.)

"Vizhiyl" kicks off the start of the album with a nice background score and instrumental interlude. With singers Sonu Nigam and Swetha behind the voices, you are immediately sold for the song. Multiple hearings are a must for this track completely. This love duet is undoubtedly, G.V's uncle's early works in play. Also, Snnu has a better diction/prounciation than Udit "Sahana" Naryanan.

"Kannavelam" by Karthik and malayalam singer, Jayachandran give their soothing voices in this next soft melody. A situational number more or less but as I heard multiple hearings of this exact number, I started to enjoy it more than the first track. It's really catchy, especially Jayachandran's lines.

"Akkam Pakam" by Sadhana Sargam is another song in contrast to "Vizhiyl". Full credit goes for her tamil diction and prounciation. A rare thing that most northies can't do well (Yes Udit "Sahara" Narayan, I'm talking about you definetly.") Anyways, another addicting track with shades of ARR and Harris Jeyaraj. Another must hear.

They say all good things come with a stand-out. And I'm really taling about "Vilaiyaadu". Shankar Mahadevan has a good voice for kuthu/introduction numbers but did the album really need one? I understand that it's an Ajith film and to them [fans], an introduction song is truely a must. Like Rajni fans who insisit on SPB for Rajni's voice and whatnot. Anyways, the song is the usual hearings you hear in every Ajith movie, but honestly, it sticks out like a sore thumb.

"Kaneer Thuliye" by Vijay Yesudas makes up for the sore thumb that was in the last track. Though there are heavy shades of "Ae Ajnabi" from "Dil Se", the track shows Yesudas's versatality just like his father did in the past. Yesudas may have been jynxed with "Sahara" in Sivaji - ths boss, but this song truely makes up for the loss that was Sivaji. ARR's loss is G.V's gain indeed. The last song is a theme music compsed by Prakash Kumar himself. Something that should be looked forward to during the movie.

All in all. G.V Prakash deserves full marks for the awesome album that is Kireedom. A step up over his uncle, one hopes that he continues to give good music like this. Aside from "Vilayaadu", the album's worth picking up indeed!

Rating: ****1/2

Movie Review: Sivaji - the boss (2007) [TAMIL]

2007-06-26T15:42:00.000-07:00

The much awaited movie directed by S.Shankar, who gave us hit movies since the early 90s [Gentlemen, Kadhalan, Indian, Muthalvan, Nayak, Boys and Anniyan]. With a mammoth star cast like Superstar Rajni Kanth, Vivek and telugu heroine, Shriya Saran, you would expect the producers [AVM Saravanan, M.S Guhan] to give the audience a winner or rather another "Chandramukhi" [Currently celebrating it's 804 day and whatnot.]

Unfortunately, Sivaji is purely for the masala goers. There's no story or plot that's "Shankar" that is rather told in an interesting way like his last Blockbuster, "Anniyan". When you rope in a star who's identity is known to his fans by his mannerisims, you then conclude that the story itself took a backseat and instead, Shankar whipped up something from the archives which in the end, ended up becoming a Varalaaru, or rather a poorly-told masala. Heck, even Chandramukhi [which I disliked] was probably a latter better of Rajni film than this one.

The story: Sivaji is an NRI, who returns from the states to open up a hospital and whatnot. With a comic sidekick, [Vivek], they encounter financers, including the villian [Telugu star, Suman]. Along the way, he falls form tamizhselvi [Shriya] who intially doesn't fall for the hero but later marries him despite the astrologic predictions of his death. The rest of the film deals with him acquiring black money and turning it into white money and the usual "bad guys finish last" formula.

Let's talk about what worked and what didn't work. The story dervives from several films, A.R Murgadoss's STALIN, K.V Anand's KANA KANDEIN, Shankar's own GENTLEMAN, INDIAN, MUTHALVAN, Shahrukh's ONE 2 KA FOUR, and K.S Ravikumar's PADIYAPPA. You would think that after delays of releasing the film and keeping the film's premise under secrecy would've paid off right? To say that Anniyan did the copying from Gentleman, Indian and Muthalvan is an understatement. Anniyan was unique in screenplay because it was about society's reform. Sivaji's just rehashing the done-to-death plot in a cliched fashion. Same goes for the revenge theme.

Another problem with Sivaji was the amateurish treatment. Namely the following:

I) The romance between Tamizhselvi and Sivaji
II) The emphasizing of the Jadagam of Sivaji's presumed future
III) The stunt scene at the movie theater.
IV) The songs improper placement.
V) While Vivek's in form again after a long time, he tended to get irritating later on. Some of his unwanted jokes could've been cut.
VI) Shriya's costumes. Ironically enough, Sivaji wants a tamizh like bride that's all normal and dresses normally, yet the songs seem to show a different side...
VII) The "bald" treatment.
VIII) Rajni's parents.

Some of the sequences work well:

I)Some Rajni references in a comical style was a good tribute to the star.
II)MMS Sivaji receives in jail.
III)The mimicry scene. Bringing in Mayilsamy, Chinni Jayanth and Dhamu was a nice touch.
IV) Suman's scenes.

Technically, Sivaji is brilliant. Camera by K.V Anand is superb. The graphics team deserves accolades for the overally look. The editing though [Anthony], could've been a bit more tighter. Art by Thotta Tharani gives a methaphoric design to the film. Choreography by Lawerance and Prabhu Deva could use some more work.

Music by A.R Rahman disappoints. Barring Sahara and Baleilakka, the rest of the numbers pass muster. The background score is a tad better than the soundtrack itself.

Rajni isn't an Morgan Freeman or Amrish Puri, but he just does what he does best that's about it. Shriya Saran is wasted and gets limited scope. Moreover, she needs a crash-course in acting. Suman excells and is a revelation. Vivek is in form again but his comic-timing is unwanted in some places. Manivannan and the supporting cast make their prescence felt. Nayantara [sp. appearance in Baleilakka] needs to lose the flab.

Overall, Sivaji is gloss and glitter minus the screenplay. Commerically and from a fan's perspective, the film will prosper because it's a Rajni film.

Rating: **1/2

Movie Review - Pyaar Ke Side Effects (2007)

2007-06-21T14:56:00.000-07:00

It's a rare treat these days to get such different themes of movies instead of the same old "dishoom-dishoom" or the typical "Yash Chopra triangle or rather repeated Switz locales". That statement best describes Saket Choudhary's debut film "Pyaar ke side effects". With a cast comprising Art hero, Rahul Bose and "Mayya Mayya" Malika Sherawat, and more, the film boasts of good performances better than the nightmare that was "Bheja Fry".

We are introduced to a couple [Bose and Sherawat], who question each other's comittment to marriage. It's when Bose starts to go haywire and come up with a paniking like answer in order to pay attention to the cricket match than his own girlfriend. Bose then narrates to us his flashback to a wedding where Trisha is getting married (duh). Bose himself is an RJ for that same wedding and decides to take a break from all the rapping and whatnot. But when he leaves the wedding, he finds that the bride too escaped from her wedding as she didn't feel ready for comittment. Years later, Bose itnroduces us to his friends, his wise sister, brother-in-law, roommate who can't get a date and Trisha's evil friend (ala Dracula). The rest of the film deals with what a typical American romantic comedy goes with.

While the lead actors were great, the plot was resemblent to some videshi movies seen countless number of times. But the scripting and plot is different and suited for a desi audience at least in my humble opinion. The only con I had with the film is that second fiddle heroine (baby doll or something), she was god damn awful. Her lips and wooden face was unbearable to watch.

Otherwise, have a ball and watch the film. You won't be disappointed.

Rating: ***

Movie Review - Bheja Fry (2007)

2007-06-21T14:35:00.000-07:00

Summer's finally here (well for those in the US at least.) With great pleasure, I took the time to rent out some of the films released earlier this year and I got a chance to view them. One of the few is the flop-turned-hit, "Bheja Fry." Naturally, you wonder what's the film got to do with cooking or better yet the cooking item itself? Well for starters, the film has no relation to the eatery nor it has to do with cooking. It's in fact a comedy. Not a Priyadarshan type comedy but infact a simple comedy that lasts nearly 95 minutes.

The story goes like this: Ranjeet Thadlani [Rajat Kapoor] is a music exec who wants to launch new singers. At the same time, he has some on and off martial problems with his wife [Sarika]. He hears off a devoted and talented singer by the name of Bharat Bhushan [Vinay Pathak] and invites him over for dinner. That same day, Sarika leaves him in the dust and Ranjeet stresses every might of bringing her back to his arms. By going through frustrating moments with the obnoxious Bharat, his rivals come friends [Milind Soman and newcomer Bhaivaravi respectively] and of course, the income tax officer, [Ranveer Shorey].

The plot and characterization starts off well but by the time the lead female leaves, the moments with Pathak and Kapoor respectively increased the comical moments and his tension, but in other parts of the film, you tend to feel tired and frustrated by Pathak that you end up sympathizing with Ranjeet himself! At other times, the humor feels forced and the end product isn't very funny, it's unfunny.

Music isn't really much to say aside from 2 songs [One played in the movie, the other in the credits]. Acting wise, Pathak excells, Kapoor gels, but Sarika flops. Soman and the others past muster.

Overall, the film's a strong timepass. Watch with no frustration.

Rating: **1/2

Movie Review - Mayakannadi [TAMIL] (2007)

2007-05-15T18:44:00.000-07:00

Right from Autograph and Thavamai Thavamairandu you expect Director/Actor Cheran to come up with a winner this time. To an extent, Cheran does suceed the viewer but he looses their patience in the 2nd half. Bottom line - Back to rural you go Cheran.

We are introduced to Kumar (Cheran) and Maheshwari (Navya Nair) as hair stylists. Both of them are friends turned lovers trying to come up in Society. One day, Kumar overhears a scheme to becoming rich and he gets Maheshwari to quit their jobs and follow that scheme. Unfortunately, it doesn't work out. The real purpose in life is to get everything that every wealthy person can own. Cheran gets another idea by trying out to be an actor for Tamil Cinema. That also doesn't work out. The rest of the story unfolds such as parents health, money problems and love matter.

Cheran's given his best performance. Watch out for the well-executed scenes such as his acting profile and his scenes with Navya. Navya does okay but she needs to lose some weight. Radha Ravi is adequate. Guest stars, Shwetha Konnur (Malavika), Sarath Kumar, and Arya make their presence felt.

Music by Ilaya Raja strikes a chord in your mind while his Background score (Instrumental of Oyele Yenga...) lingers forever in your heart.

On the whole, Mayakannadi is a average flick that might reflect on your lives but not as much as the Director's past flicks [AUTOGRAPH, THAVAMAI THAVAMAIRANDU].

Rating: ***

Music Review - Sivaji the Boss (TAMIL) (2007)

2007-05-13T12:09:00.000-07:00

Gentleman [The Gentleman], Kaadhalan [Humse Hai Muqabala], Indian [Hindustani], Mudhalvan [Nayak - the real hero], Boys, and Anniyan [Aparichit: The Stranger]. What do these films have in common? Director Shankar and Madras Mozart: A.R Rahman [Anniyan's the exceptional work of Harris Jeyaraj.] With a blockbuster hit maker in his resume, he lifts up the people's expectations with his magnus opus entitled, Sivaji the Boss. Starring none other than Superstar Rajnikanth and Telugu heroine, Shriya Saran, it's produced by AVM. Saravanan of the famous AVM Productions. Now you wonder how I took the so-called music of Sivaji?

Let's be frank here, Rahman doesn't give us hits like Chikku Bukku, Pettai Rap, Uravasi, Telephone Manipol, Shakalakka Baby, Saiyaan, or Sa Re Ga Me. Heck, it's a pale comparison to Shankar's superhit album by popular Kollywood MD, Harris Jayaraj who churned hits like Remo and Kannum Kannum Nokia. In fact, it's no Roja or Bombay either.

To sum things up, Rahman doesn't quite gives us the stuff we all loved and hummed to in the 90s. It's purely a rap album filled with maybe 1 or 2 hummables. Better luck next time Rahman saab.

Athiradee kicks off with singers Sayonara and the mozart himself. Honestly, you have to have supersonic hearing to understand lyricist Vaali's words. It's unbelievable that it's a Rahman composition and yet, he's stumbled upon the likes of America's favorite music genre among the teens. It's more or less a pass muster.

Rahman does make up entirely with Baleilakka sung by none other by SPB, Rajni's lucky mascot. Unfortunately, Rahman borrows heavily from Vidyasagar's Devuda from Rajni's mega-blockbuster, Chandramukhi. The female voice doesn't have depth and fails to impress me. Moving on....

Sahana is probably one of the decent tracks in this album. The only downside, it's rendered by nasal nepali, Udit Narayan. Known for his infamous tamil diction, he does that infamously well here but "Tere Bina - Guru", Chinmayee, makes up for Udit's horrible diction. Probably of the better bgm so far. Maybe a tribute to Kuluwalilee from Muthu?

Vaaji... by Hariharan and Madhusree is a average track. Hari, who's ranked as one of ARR's protege's, fails to keep up with Mozart's beats. Madhu tries as hard to be the south Alka Yagnik but she's got a shrieky kind of voice which makes the track unbearable.

Sahara is probably the BETTER version of the song in comparison to Udit's style. Why? Vijay Yesudas makes a perfect lead male singer in TAMIL WITH SUPERB DICTION and his voice will tell you the shades of Dr. Yesudas. Gomathishree does well in her debut as well. For a very short track, one wonders whether Yesudas got gypped for the dictionkiller that is Udit.

Style and The Boss are nothing by noise. Ignoring the barely understandable wordings and annoying rap music, it's a skipworthy no doubt.

Say what you want ARR-Rajni apologists, Rahman fails to impress me with his comeback in tamil. Even his Sillendu oru Kadhal was beautiful in comparison to this atrocious album. Perhaps next time, we could get some of your Roja stuff or better yet, GURU? Please? Shankar should've stayed with HJ for music and have ARR for BGM.

Rating: *1/2

Movie Review: Ta Ra Rum Pum (HINDI) (2007)

2007-05-10T17:16:00.000-07:00

Flop after flop after flop. Post Mani Ratnam's GURU, seems that the film industry is going through a terrible phase. Granted, movies like Honeymoon Travels and the latest Bheja Fry seems to be average hits this season. Seems that the year that was 2006 could not be repeated. So now it all comes down to this: Sid Anand (assist director of Kunal "Fanaa" Kohli) who's debut "Salaam Namaste (2005) earned a name in the industry. But does he repeat the same success this time with TA RA RUM PUM? To an extent, but they're are some flaws....

Meet Ranveer Singh (Saif Ali) a New Yorker who has a raging passion for race cars. As a NYker, he tries to win over the sponsors with his passions and stuff, but they don't seem to buy his dreams. Until a Gujju man called Harry (Eggactly's Javed Jaffri) sees his talent in action and offers him his dreams come true. Dubbed by the name "RV", he makes a name in the career. At the same time, he falls for Radhika (Rani) whom he fondly calls her, "Shona", Bengali for sweet. Fast foward two song sequences later, and we get the see RV's mindless money spending in wedding stuff, house, cars, etc which he fondly replies, "it's a loan, an installment."Whatever, we get it! Oh and the kids, adorable! Regarding the money matter, the family goes bankrupt and are forced to live in a Bronx type neighborhood, ala DesiYork. The family encounters robbery, starvation, desperate times for money, health and so on.

While the child artists did justice to their roles, Saif and Rani were the best. Give his fathering character or his moneybags character, he simply rocks. Rani as a mother does a decent job, but it's Javed Jaffri who steals the show. If "eggactly" was the phase in SN, TRRP brings his "Mera # Girlfriend said...." Hilarious jokes and at the same time, serious.

Visual-Shekhar give some good tunes, but 2 of them stand out. "Hey Shona" and "Saiyaan." The rest pass muster. The writing point is good, but sometimes, the whole rag-riches storyline is old as hills. But the dialogues make up for it.

So is the film worth watching? Only if you like the artists. Otherwise, watch for timepass.

Rating ***1/2

Movie Review - Unnale Unnale (TAMIL) (2007)

2007-05-10T16:58:00.000-07:00

After churning hits like 12B and Ullam Ketkume, cameraman-turned-director Jeeva's latest film deals with relationships. While it's a dead-beaten subject one wonders whether Jeeva succeeds this time. The answer is yes. Jeeva succeeds to a large extent primarly because of the script and it's gripping narration. Ten minutes into the movie and you're a sucker for the film from start to finish. Another plus point is music director Harris Jeyaraj. Chartbusters such as "June Pona" and "Mudhal Naal" are hum addicting. But let's get to the plot shall we?

Karthik (Newcomer Bangalore model, Vinay) is a software engineer, who gets an opportunity to work in Austrailia for a long term project. As he travels to Australia, he encounters his old lover, Jhansi (Anniyan's Sada), whom the two had a fall out in the past year or so. The flashback explains their first meeting at a temple festival along with Karthik's friends (Raju Sundram and Sanath) She gets a liking to Karthik as they meet often, but due to Karthik's habit of flirting with other girls, Jhansi starts to feel jealous or rather obsessive with him and scolds Karthik to the maximum. The result was nothing but a seperation of their relationship. Back to Austrailia, Karthik, encounters the bubbly Deepika (Sarkar's Tanisha Mukherjee, Kajol's sister) who tries to reunite the estranged lovers but in the process falls in love with Karthik as well. The rest unfolds as any other story goes BUT WITH A DIFFERENT KIND OF CLIMAX *hint hint

As far as performances go, Karthik stands tall for a debut. Tanisha, who's last hindi film Neal N'Nikki was a bomb at B.O, regains her stardom with this film. Obviously dubbed, but definetly a hightlight. Ditto goes for Sadha, who steals the show completely with the Preity Zinta of KHNH look. Raju Sundram and Sanath provide you some best laughs in the movie (Watch out for the conversation with his lover, makes you fall down laughing.)

As I said before, HJ derserves kudos for the music as well as Jeeva's camera work. Give Unnale Unnale a watch, a real movie treat!

Rating ****

Movie Review - Pokkiri (TAMIL) (2007)

2007-05-08T19:57:00.000-07:00

If you've seen the Telugu original by Puri Jagan starring Mahesh and Ilena, stay away from this hackeyned remake.

Vijay's comeback vehicle is appreciated by his "fans" and "repeated audience" by his continous streak of mocking larger than life heroes. Basically, it's Simbhu's thunder taken over by Vijay. Can he act? In non-remakes, but this, no-no. It's more or less a masala film but one of those films that would belong in the b-movie category.

You have your wooden face heroine (Asin), the incompetent comedian (Vadivelu) and you have the most successful actor in South India alas he's stooped to the level of stupidity (Prakash Raj). The mimicry hero (Vijay) is a cop going undercover as a gang member. Learning the ways of their precious leader, Ali-bhai, the rest of the story shifts from crass kuthu songs (What happened to the musical master Mani Sharma from the original? The theme, "Yuthamae" should've been the opening track instead of the deadbeaten "Pokkiri Pongal" track.") to love tracks to corrupted policemen back to gang talk, contrived flashback and bam, back to square one.

Dissappointing as it is, the film just reached its 100-day run and still is running. One must wonder that such films in South are going beyond the days because of his fans willing to hurt their eyes just for the star himself or something else. Bottom line: Skip it, watch the original with subtitles.

Rating **

Music Review - Cheeni Kum (2007)

2007-05-08T19:56:00.001-07:00

Cheeni Kum is better than Shiva 2006!

As my love for Raja's Mayakannadi continues, I simpyl awaited his next hindi soundtrack, Cheeni Kum. Raja's last 2 outings, Mumbai Xpress and Shiva 2006 haven't been received very well. So is Cheeni kum an acid test for him? Yes. Does he succeed? Yes again. Because unlike Shiva situational numbers and classical background music (Saara yeh aalam paticuraly from Anandan Raagam) Raja goes synth style with these reused tunes of his to fit the Mumbai-tes!

Cheeni Kum (Shreya Goshal) starts off the album by being a tune from Mandram Vantha by SPB (Mouna Raagam,Tamil.) Goshal excells and Raja has changed the beat to a more happy melody compared to the sad original. Same goes for Sooni Sooni (Vijay Prakash) who sounds strikingly familiar to tamil cinema's Unni Krishan? Coincidence? I'll leave that up to you.

Baatein by Amitabh and Shreya is another melodious asset. Taken from Kuzhaloodhum kannanukku’ by Chitra in the original (Mella thirandhadhu kadhavu, Tamil) She and Amitji (who rather voices in the song) do justice to the track. Another feather in the cap for Raaja.

Jaane Do by Shreya again (Must be a Raaja favorite post Devdas!)Taken from Geetha's track "Jothi" Kannada, Shreya and the music sound like they were meant for each other. This is nothing but a must hear.

The last 2 tracks are bgm from the movie.

Overall, I'd say that in comparison to Raja's last with RGV, this albm sounds like a complete winner. Shiva had 1 peppy, 2 raagams, 1 situational and 1 sad melody. Whether as 4/5 tracks are fast paced and are retuned to fit todays standards, I strongly feel that Cheeni Kum is a winner for chartbusters. Go for it if you're a music lover!

Rating: ****1/2